'Another Earth' is the kind of movie that deserves some pondering and a second look. There's a tptation to pigeon hole our expectations into making this a great space adventure, but it's not. It is science fiction, but if my memoty serves me correctly from high school, this is soft (i.e. read social issues based, rather than hard (i.e. read science technology based) science fiction voyage. Some can be both, and this one is also both, but is far more the former than the latter.
Cosmic events come together one night as Rhoda Williams is listening to her car radio and listens as the announcer reveals the discovery of another earth that at first seems a replica of our own. The news brings such big emotions, she smashes her car into another, creating a tragic accident.
After she is released from what must be a juvenile detention facility (for as a minor her identity is concealed from a surviving member of a family), she seeks oit the man whose life has been shattered by the wreck, wishing to be reconciled and make amends. Upon her first meeting, she loses her nerve and ends up offering herself for a free trial cleaning service. An even chancier romance starts to blossom, but the spring-autumn affair becomes more plausible between a beautiful young woman and a haggard-looking middle aged man when we realize her motives.
In the meantime, Rhoda has taken a medial job actually cleaning for a public school district. During her off time, she crosses her fingers after submitting an essay to compete for a spot on a shuttle destined to. Go to the new earth.
Hardly is there room to blame a picture for conjuring up this much on a low budget, and the actors do a yeoman job of inserting the human drama, making us forget the factor of wildly unplausible events. Perhaps it is the seed of the dialogue, evoking Plato and a metaphor of a cave, that gets one to surmise that the thoughtful ending does more than tack one on, and our lingering thoughts have us headedwith the same trajectory the movie makers had us going in the first place. *** out of **** original stars.
Another Earth is unworldly, economical, sad, hopeful, fulfilling. Maybe. Seventeen-year-old Rhonda Williams (Bret Marling) is a bright kid with a promising future. She’s part of a nice, middle-class family. She also is sometimes wild and irresponsible. When she drives off in the family car one night, she’s drunk. She crashes head on into a car driven by the composer and teacher, John Burroughs (William Mapother). The crash kills Burroughs’ pregnant … more
Watching Lars Von Trier's Melancholia, about an approaching planet led me to this movie made around the same time. As Another Earth begins, we are introduced to a bright, attractive young girl with a brilliant future, with an interest in the Cosmos, and she has just got into MIT. When another earth with the same continents and oceans appears in the sky, people get excited, some are nervous. As she drives along that night, a radio announcer talks excitedly … more
FADE IN: Spoiled brat Brit Marling is driving home shitfaced listening to the exposition on the radio when she sees Another Earth in the sky. CUT TO another car containing a perfect family. WILLIAM MAPOTHER Holy shit, this family's so nuclear I'm amazed Iran hasn't tried to weaponize it. Brit Marling like totally runs a light or something and wipes out the nuclear family's car - KA-POW! - even though … more
***1/2 out of **** I know, I know; "Another Earth" is not, in the slightest, an easy film to like. It is depressing, slow, and somber; enhanced by the moody cinematography of its maker. But the writer and director, Mike Cahill, has made a film that isn't easy to like also very easy to admire; and I consider that to be some kind of achievement. It may not be great one; but regardless, Cahill has made a film that quenched my thirst for intrigue. It's daring, it's brilliant, … more
Star Rating: Perhaps it’s both the greatest strength and the biggest weakness of Another Earth that it’s open to interpretation. On the one hand, you’re not bound by the constraining intentions of the filmmakers; you’re free to put your own spin on the plot, the characters, and the imagery. On the other hand, if you have no narrative guidelines to fall back on, you may paradoxically be constrained by the latitude you’re given. I … more
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