A 2002 young adult fantasy novel written by Neil Gaiman with …
In the world of Five Hundred Kingdoms is The Tradition or “The way that magic tries to set things on a particular course [...] And there are dozens and dozens of [...] tales that The Tradition is trying to recreate, all the time, and perhaps one … see full wiki
The world of the Five Hundred Kingdoms is one created from fairy tale idiosyncrasies. Every person has a destiny that is shaped by an omnipotent and omniscient being known as "The Tradition." This magical force controls the fate of all people, or in this case characters, in the Five Hundred Kingdoms. No one can escape its clutches, not even the lowliest stable boy or the most wealthy king.
Overall, Lackey describes the roles of Fairy Godmothers as being something unique because of the way they work with The Tradition. They always do good deed. Godmothers are often seen as teachers as they try to stop people from traveling the path of evil. They impart many life lessons:It was the passion to set things right that defined the Godmother and the Wizard; and this was also why they did not live among the people. To be a Godmother meant that you did become involved, and you used your strong emotions to help you focus. But Godmothers and Wizards did not remain so utterly apart from people as the Sorcerers and Sorcerers did--they needed to have some contact with people, to remain anchored in humanity and keep their own emotions alive. It was a difficult balance to maintain--but it wasn't boring. (134)
The Tradition wanted this young woman for something. It bent its power towards making her into that something. It was like an enormous, blind, insensate beast, pushing her towards that end, and it did not want to let her go down some other path.
But Rosalie did not want to go there. She was happy with her little cottage, her gentle, simple husband, happy to be ordinary and fit in with the rest of the village as a pea fits among its neighbors in a pod. The more The Tradition pushed her, the more she pushed back, and that was what made it painless for her to give up the power that was collecting around her. (138-39)
Rosalie's original story was to be a tale known as "Fair Rosalinda." She was supposed to fall in love with a married king and be murdered by his queen. Since she thwarted that path as a child, The Tradition was weaving her down a new one, the mother of a Ladderlocks child. The child would be stolen by a witch and locked in a tower. These stories usually had happy endings but not until a lot of death and sorrow had occurred. By avoiding one path, Rosalie allowed The Tradition to steer her down another unfavorable path. The only way to escape The Tradition's destiny was with the help of a Fairy Godmother who could take the unwanted magic and thus render The Tradition powerless again.
Most of the time these types of duels and attacks are left to the Sorcerers because their powers are more suited to it. Instead, Fairy Godmothers try to avoid conflicts and battles as much as possible.
What did you think of this review?
I would read the story about magical whackos...especially if they starred you and Orlok! ;)