The best fairy tales have as many -- if not even more -- lessons for adults as they do for kids. "The Adventures of Baron Munchausen," directed by former Monty Pythonite Terry Gilliam, is a great example of this.
Mining a rarely tapped vein of German fantasy lore, the movie brings to life its unlikely hero in the form of a middle-aged, at times elderly, German nobleman. Munchausen wanders the world -- and occasionally places above and below -- seeking outrageous adventures with his marvelous companions: Albrecht, the strongest man alive; Berthold, the fastest man alive; Adolphus, who has amazing vision; and Gustavus, who has incredible hearing and powerful lungs.
In the movie, an elderly Munchausen disrupts a theatrical production of his adventures in a 17th century city under seige by invading Turks. Munchausen's efforts to set the record straight are in turn disrupted by a cannon assault, and his attempt to quietly die in the theater's ruins are interrupted by Sally Salt (Sarah Polley), a small girl with a huge heap of stubborn. Sally is possibly the only person around who believes Munchausen is real, and her belief is impetus enough for the baron to dispense with dying long enough to try and save the town.
Setting off with stowaway Sally in a prop ship floating on a current of hot underthings, Munchausen finds his missing friends and saves the town as promised after some eye-popping adventures -- and with a few twists and surprises on the way.
John Neville is perfect as the dashing, resourceful and exceptionally lucky Baron Munchausen. In both the younger and older incarnations, he glows with the air of a legend come to life, straight from a storybook wonderland. As his older self, he exudes curmudgeonly bitterness over this new Age of Reason which is eroding his tales. The world, he says, "is made of laws now. Laws of hydraulics, laws of social dynamics, laws of this, that and the other. No place for three-legged cyclops in the South Seas. No place for cucumber trees and oceans of wine. No place for me."
Ah, but there is. Sometimes, the world just needs reminding.
Munchausen rides cannon balls, uses snuff to defeat a massive sea beast, dances on air, sails to the moon and generally cheats death. Most of the time. But always with a smile on his face and a twinkle in his eye, like any good, stalwart hero should. If you're big on realism, pass this one by. But if you want to exercise your sense of wonder, pick up "The Adventures of Baron Munchausen." Please, believe he's real or the town is lost.
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Tom Knapp (Tom_Knapp)
I founded the online review site, Rambles.NET, in 1999 and continue to operate the site with more than 200 contributors and more than 14,000 reviews in our permanent online archives. A fraction of my … more
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Monty Python's Terry Gilliam (Fear and Loathing in Las Vegas) directs this wild, wild version of the stories of Baron Munchausen, pushing the limits of 1989 special effects technology to bring us such sights as a horse divided in half and running around in two parts, and a giant Robin Williams with his head flying off his shoulders. Basically, this is a treat for Gilliam fans, as the sustaining idea of the film runs out of steam, and manic energy alone keeps the momentum going. Casual viewers might find it tedious after awhile. There are nice parts for fellow Python Eric Idle, as well as Sting, Alison Steadman, and Uma Thurman as a dazzlingly beautiful Venus on a half-shell. Gilliam had greater artistic and commercial success withBrazil,The Fisher King, and12 Monkeys.--Tom Keogh