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Inglorious Poster

Film by Quentin Tarantino released August 21, 2009

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For the basterds.

  • Jan 9, 2012
Rating:
+5
**** out of ****

The Quentin Tarantino-directed "Inglourious Basterds" is not much unlike the wise-cracking genius of modern cinema's other features. It's a one big old fan film; another one of Tarantino's great homages to the many things that he loves. Once again, he shows his admiration of his inspirations through music choice, camera angles, and an overwhelming supply of movie references. While there are plenty of other directors who do this, Tarantino does it differently; he's discreet when it comes to his influences at times, and at others, he comes right out and reveals them. There's no shame in that; we can be spoon-fed some things as long as the storyteller leaves enough for us to think about, interpret, and finally fully understand on our own and for our own benefits.

This is the sort of film that will most likely divide audiences contradictory to any other Tarantino film thus far. Sure, people love his "Pulp Fiction" as well as his two "Kill Bill" movies; but I can't imagine that everyone amongst those large - very large - groups of admirers will buy into the vision that he's come up with here. This is easily the most epic of Tarantino's films, in scale; it's long, like his other films, and comes armed with a sharp tongue and seemingly limitless entertainment value. So even though "Inglourious Basterds" is a historical epic clocking in at about two-and-a-half hours; it never feels of great length. On the contrary, I might even say that it feels kind of short; but then again, don't all films from this radiant madman?

Tarantino sets the film in Nazi Occupied France; spanning from years 194 to 1944. Since this is a film illuminated by its nasty little surprises; I'll not spoil too much in regards to the plot, although I'll give you what I consider to be a basic (or basic enough) plot synopsis. After a tragic - but brilliant - opening sequence involving a colonel of the SD searching the home of a French farmer, only to find that the man of the house has been hiding Jews underneath the floorboards (only one Jew emerges in-tact and alive); the sights are mainly set on a team of eight Jewish-American men - lead by Lieutenant Aldo Raine (Brad Pitt) - who aim to end the tyranny of Hitler; one Nazi scalp at a time.

They are at first assisted by Lieutenant Archie Hicox (Michael Fassbender); who alerts Aldo and his accompanying team of an upcoming premiere to be held at a French cinema run by a woman named Emmanuelle Mimieux (Melanie Laurent). It shall be the premiere of a Nazi propaganda film; and everyone from Adolf Hitler (portrayed here in excellent comic fashion by Martin Wuttke) to Goebbels and Goering will be in attendance. This gives Aldo and all those who are game for a good ol' fashion theatrical assault a chance to try and whip Hitler and the other Nazi officials from the face of the earth once-and-for-all. What they did not take into account was that Ms. Emmanuelle - whose real name was Shosanna - already, has plans to burn down the theater and seize the day.

Meanwhile, there's this really odd guy named Colonel Hans Landa (Christoph Waltz) - the SD colonel from the film's opening scenes - who not only attends the premiere, but also has ties to an undercover agent for the SS (Diane Kruger); a mysterious woman who after much persuasion, agrees to assist the "Basterds" - or at least, what's left of them after the epic shoot-out that occurs at or around the film's mid-point - in their efforts to put the Nazis in their rightful place on this planet; in their graves.

Since the film is entirely historical FICTION (think of it as...alternate history; something more common in comic books and flat-out novels rather than films these days); the story should not be criticized for "inaccuracy", because when speaking of this film, accuracy does not seem to be Tarantino's forte. Sure, this means one more thing for the detractors to complain about when it comes to describing what they believe to be a genuine cinematic "train-wreck"; but it's also one more thing for us more admiring critics to praise.

I'm never one to just go ahead and call a film special because it's by a director who has made such "special" films before; I'm calling "Inglourious Basterds" just that because in my opinion, it IS a special movie. This is vintage Tarantino; the kind of historical war epic that only he could make exactly like this and with such impeccable style. If you're a fan of the director, this one might not instantly impress you; but it improves upon several viewings, and I think everyone should give it a fair chance before judging. Not only does it contain Tarantino's signature love for the movies (he uses them as a sort of weapon through his storytelling in the third act, where all comes crashing down, for the better); but also a considerable list's worth of strong performances from the actors involved - Waltz, in particular, is eccentric and all-together fantastic as Hans Landa - while there are also some surprising supporting roles played out quite well by the likes of B.J. Novak, Omar Doom, Mike Myers, and even Eli Roth.

OK, OK; my love for the film will not be shared amongst all. But for those who are willing to be entertained and enthralled by writer-director Tarantino's newest master-class concoction of influence and indulgent originality; it's a stunning, violent, rip-roaringly refreshing ride. I was thoroughly engaged, humored, and even inspired; with every film, Tarantino manages to compel me even more to get off my ass and go make a movie; thus telling my stories as he does his. He's the kind of wonderful filmmaker who exists for such things and many more; I'm glad he is working in the business today, and I'm glad he's making movies as good as this one. Now, I bid farewell to you, my readers; au revoir.

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January 14, 2012
One thing I've always enjoyed with Tarantino's movies is the way he does the dialogue. This may not be among my faves of his films, but still good. What is your top 5 Tarantino movies?
 
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More Inglourious Basterds reviews
review by . April 05, 2010
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Reminded me that I love Tarantino's work!
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review by . January 11, 2010
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Ingloruious Basterds (I think I spelled that incorrectly) was the best movie I've seen all year. This was my first QT movie , and I went into it with trepidation, expecting cartoonish violence and macho muscularity without much depth. What I got was masterful moving picture making. Every scene works (even the one intentionally--and self-mockingly?--cartoonishly violent "Bear Jew" scene) but the opening scene builds so slowly and perfectly that it matches anything Hitchcock crafted in its beauty, …
review by . August 23, 2009
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poster
   Quentin Tarantino, taking inspiration from the 1978 Italian film “Inglorious Bastards“, “INGLOURIOUS BASTERDS” (now renamed “Basterds”) is the latest installment from the acclaimed director. “Inglourious Basterds” isn’t just a war film, it is a war film with the Tarantino signature that features stupendous dialogue, incredibly opaque plotting, an anarchistic soundtrack (even worms in a David Bowie song from “Cat People“), …
review by . August 12, 2009
   I'll save you time.  You don't have to read the rest of this review to know how I feel.  I loved this movie.      There is so much to love about this movie and I will try to explain my perspective without the use of spoiler because I want everyone to see and experience this movie for themselves.  Before we go any further, here is the trailer:            See what I mean.  I knew from the trailer …
Quick Tip by . January 04, 2012
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A star turn for Michael Fassbender but all the good lines belonged to Brad Pitt (and there are half a dozen howlingly funny lines).
review by . August 25, 2009
Inglorious Basterds
Seeing Inglorious Basterds was an interesting viewing experience for me.  Not because anything crazy happened, but because of the ways in which the film kept pulling me back in.  While I thoroughly enjoyed Basterds, there were definitely times I was asking myself, "what is this leading up to?" which I think a lot of people were asking about Death Proof .  Of course the minute I asked myself this, everything came together and made me ecstatic about the current scene. …
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You might think Tarantino glorifies violence, but I think that's just the way he expresses his ideas
   I am a huge QT fan so I went expecting a lot from this film. The movie is simply an experience and Tarantino immerses you into this world.   I honestly am very surprised that there are so many comments stating this is a bad movie and Tarantino trash. I understand not everyone loves QT but how can you not appreciate the writing and acting in this film. The film, as most of us know by now, is a WWII revenge saga that follows a small unit of Jewish-American soldiers as they wreak …
review by . May 28, 2010
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A MASTERPIECE
INGLORIOUS BASTERDS       As any one can tell you I am a huge QT fan and basically own everything he has been a part of. So of course when this film was released I had to go see it and the second it was out on DVD/BLU-RAY I had to own it. I knew from the moment this film was announced that it would be another QT classic with out a doubt. Say what you will but it was a major success and you can't discount that at all. I of course knew that I would love this film and of course …
Quick Tip by . April 05, 2011
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Tarantino's film manifesto is a bit too theoretical, but still a great flick.
review by . January 05, 2010
   Tarrentino brings World War II Paris to life in a new fashion.  A young Jewish girl escapes a search of a farmhouse by Nazis and makes her way to Paris.  Somehow she gets the identity of Emanuelle, an owner of one of the top Paris movie houses.  One day she is changing the titles on the marquee when she is approached by a young German soldier.  He becomes smitten with her but she tries being cold back to him to no avail.  It turns out he is somewhat of a big …
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Ryan J. Marshall ()
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It's very likely that the only kind of reviews I'll ever post here are movie reviews. I'm very passionate about film; and at this point, it pretty much controls my life. Film gives us a purpose; … more
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Wiki

Inglorious Bastards

Inglorious Bastards is a 2009 war film written and directed by Quentin Tarantino.  It was released on August 21st 2009.  It stars Brad Pitt, Eli Roth, Diane Kruger and Christopher Waltz.

"

Although Quentin Tarantino has cherished Enzo G. Castellari's 1978 "macaroni" war flickThe Inglorious Bastardsfor most of his film-geek life, his ownInglourious Basterdsis no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There's a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol' boy named Aldo Raine (Brad Pitt) who reckons each warrior owes him one hundred Nazi scalps--and he means that literally. Even as Raine's band strikes terror into the Nazi occupiers of France, a diabolically smart and self-assured German officer named Landa (Christoph Waltz) is busy validating his own legend as "The Jew Hunter." Along the way, he wipes out the rural family of a grave young girl (Melanie Laurent) who will reappear years later in Paris, dreaming of vengeance on an epic scale.

Now, this isn't one more big-screen comic book. As the masterly opening sequence reaffirms, Tarantino is a true filmmaker, with a deep respect for the integrity of screen space and the tension that can accumulate in contemplating two men seated at a table having a polite conversation. IB reunites QT with...

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Details

Director: Quentin Tarantino
Genre: Action, Adventure
Release Date: August 21st 2009
MPAA Rating: R
Screen Writer: Quentin Tarantino
DVD Release Date: December 15, 2009
Runtime: 149 mins.
Studio: The Weinstein Company, Universal Pictures, Universal Studios
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