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Worth the Fall

  • Dec 30, 2010
Written by David Lindsay-Abaire
Directed by John Cameron Mitchell
Starring Nicole Kidman, Aaron Eckhart, Dianne Weist and Sandra Oh
Becca: I like that. Somewhere out there, I’m happy.
There are times in our lives where we all find ourselves falling down a hole we didn’t see coming.  We are just merrily making our way through the world we know when suddenly, and when we’re not necessarily paying attention, we find ourselves plummeting.  While falling alone can be horrifying enough, tumbling down the same hole with your partner can be incredibly difficult and alienating.  Nicole Kidman and Aaron Eckhart play parents who have recently lost their young son, Danny, to a car accident, in the delicate drama, RABBIT HOLE.  Fortunately for them, director John Cameron Mitchell is there to catch them before they hit the ground.
Mitchell made a name for himself when he first wrote, directed and starred in the film adaptation of his own Off-Broadway show, HEDWIG AND THE ANGRY INCH.  His exploration of the marginally sexual not only continued its prevalence in his second feature, SHORTBUS, but it would go places most would never dare.  In his third and decidedly most accessible work to date, RABBIT HOLE, Mitchell almost abandons sexuality entirely and turns his focus on grief and loss.  I use the word, “accessible” loosely, as there is nothing easy about going down this particular hole.  David Lindsay-Abaire’s adaptation of his Pulitzer Prize-winning stage play, looks at a couple suffering the unbearable loss of their only child, a story that we have seen a number of times before, and makes it feel like the individual experience it has to be.
Joining Kidman and Eckhart along their journey towards catharsis feels like a privilege, like we don’t really have the right to be there.  Each of their experiences is so separate from the other’s, but you can always feel that they are fighting somewhere deep underneath their own hardship to find their way back to each other.  Eckhart is strong as a husband who is struggling with doing everything he can not to forget but Kidman is just plain unforgettable.  She is doing everything she can to heal, including reaching out to the young boy who was driving the car that killed her son, but she can’t tell if anything is actually working.  After all, what level of sadness is needed to let go and see the world the way it once was?  That’s the thing about rabbit holes though, both in metaphoric terms and in regards to this film, you’re not the same for having gone down them.

Thanks for reading.
LUNCH rating is out of 10.

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January 14, 2011
Excellent review. I absolutely loved this film even though it hit me like a brick to the face with its themes about the lose of a loved one this is a tough but extremely well made motion picture, a true modern masterpiece.
January 14, 2011
Thank you very much. I cried quite a bit when I saw this film ... both times actually. It is more about the healing than the hurt though and that's what keeps it from capsizing emotionally.
January 02, 2011
Wonderful review --
January 06, 2011
Thank you very much. It is a wonderful film.
December 30, 2010
I liked this one quite a bit and we both mentioned "Shortbus". Great write up!
December 31, 2010
Yeah, this one has a subtle effectiveness. It's easy to see why the source material won a Pulitzer.
December 31, 2010
Now I didn't know that before. It won a Pulitzer? awesome. This was one of those movies that I really liked a lot,  though I may not watch again...not for awhile because of its themes.
December 30, 2010
Wow! Great review! I definitely wanted to check out this flick and think I'll do it on one of those days when I don't mind "going there". This seems like the kind of movie you have to prepare yourself for!
December 31, 2010
Thanks! It's not as hard as all that to get through. I don' want people to think this is some torturous experience. It is more cathartic than anything else but yes, there may be a few tears.
December 31, 2010
Yeah, I'm a very cathartic viewer as it is, so I know it's not the film's fault! After watching Black Swan, I was "weird" (my fiance's words) for like an hour afterwards and I couldn't shake it. When I see movies, I lose myself fully in the story,. so for emotionally wrenching ones, I definitely have to psych myself up for it!
December 31, 2010
I brought my mother and best friend to see Black Swan and they were messed up the whole next day!
December 31, 2010
Good to know I'm not the only one!
More Rabbit Hole reviews
review by . December 27, 2010
posted in Movie Hype
4 ½ Stars: Is GRIEF And Mourning For One's Child An Everlasting Burden?
A parents’ worst fear is when they outlive their children, worst even is when the child is taken at a very young age. I would imagine that such a tragedy would be almost unbearable. The play by David Lindsay-Abaire took on this premise and he adapts his tale to the big screen with director John Cameron Mitchell's help in 2010‘s “Rabbit Hole“. The Nicole Kidman produced film premiered in the Toronto film festival and has received a standing ovation. The film is a remarkable …
review by . March 26, 2011
posted in Movie Hype
It's not an adventure you'd want to be in!
It’s a movie about how different people deal differently with choices and distresses in life. A couple losing a child (4 year old in a car accident outside their very own house) has problems getting on in life as a couple as their tried to “forget” their child’s memories. It was unbearable for them as individuals.                The real problem with this movie is that it is not highly engaging for the audience. The …
review by . June 20, 2011
posted in Movie Hype
'Rabbit Hole' Brings Tragedy Truly Back Home
Say what you will about EWTN and the late Mother Angelica, but one of the most poignant and moving episodes of 'Mother Angelica Live' was when a male guest came to talk about his faith and the grieving process he underwent after losing his young son John Paul. At one point the articulate guest said that he had trouble letting go of his grief because it was the one tangible thing he had left of John Paul. In other words, letting go grief--as indescribable and uncontrollable as it may be--may …
review by . December 18, 2010
posted in Movie Hype
Grief is an individual process. There is no one way to experience it. It’s not a scheduled allotment of time; it could begin directly after a tragedy, but then again, it could begin five years later, or ten, and it’s going to last for as long as it’s going to last. Some people have the coping skills to move on. Others remain in despair for the rest of their lives. Is the former the right way to go about it? I don’t know. Coping skills could refer to anything. If one person …
review by . May 16, 2011
posted in Movie Hype
“Rabbit Hole” is a film about a couple who have recently lost a child in a tragic accident and are trying to figure out how to go on living.  I’m not sure who the target audience is for this film.  If you’ve just lost a child, I can’t imagine wanting to watch someone else go through what you’ve been through.  And if you haven’t, well, what’s the appeal of watching people suffer quietly for two hours?  Who picks this up at the video …
review by . December 12, 2010
posted in Movie Hype
      A subject like this requires attention and scrupulousness and it definitely had plenty of both. Based on the book "Rabbit Hole" written by David-Lindsay Abaire, the movie is riveting as far as execution and concept. It's very well organized, it's narrative structure is impressive and it definitely catches you emotionally. The story is about a family, husband (Aaron Eckhart) and wife (Nicole Kidman), that have to deal with the emotional consequences of …
review by . January 15, 2011
posted in Movie Hype
4 stars: The only way out is through
When someone loses a loved one  there is always someone who asks you if you are alright  or how you are doing and to try and be kind  to be hospitable to that person you tell a bold face lie that you are doing fine and dealing with the lose  well. That is a lie, everything you say when a loved one dies is a lie  your doing alright, your coping well, your dealing with the grief fine is all a lies in truth no one deals with grief well but we do deal with it in our own ways. …
review by . January 31, 2011
At first glance, Becca (Nicole Kidman) and Howie (Aaron Eckhart) appear to be the perfect suburban couple, but something doesn't seem quite right. That "something", it turns out, is that their four-year-old son Danny was killed in an accident eight months earlier.      The details of Danny's death emerge slowly over the course of the film. The couple is still trying to cope, each in their own way. Howie takes the train to the city to work each morning and has …
Quick Tip by . April 05, 2011
posted in Movie Hype
There is no argument with me on what is the best film of the year. It is easily, without a doubt John Cameron Mitchell and David Lindsey Aubry's heartbreaking drama "Rabbit Hole" a tale about a young couple going through the stages of grief after the tragic loss of their four-year-old son Danny after he was inadvertently mowed down by a young teenager. "Rabbit Hole" is perhaps one of the most heartbreaking films ever made about loss and suffering that you experience after …
About the reviewer
Joseph Belanger ()
Ranked #8
Hello Lunchers. I am a thirty-something guy making his way in Toronto. I am a banker by day and a film critic the rest of the time. Sensitive, sharp and sarcastic are just a few words that start with … more
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About this movie


Rabbit Hole is a 2010 drama film starring Nicole Kidman and Aaron Eckhart. David Lindsay-Abaire adapted his 2005 play of the same name, and John Cameron Mitchell directed. Kidman produced the project via her production company, Blossom Films. The film premiered at the 2010 Toronto International Film Festival in September. Lionsgate will distribute the film.

It will receive a limited US theatrical release on 17 December 2010 and expand nationwide on 14 January 2011.

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Movies, Drama Movies, Drama, Nicole Kidman, Aaron Eckhart, Dianne West, David Lindsayabaire


Genre: Drama
Release Date: 27 October 2010 (France)
Screen Writer: David Lindsay-Abaire
Studio: Olympus Pictures, Blossom Films, Odd Lot Entertainment
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