From the beginning, the computer-animated feature film genre has been a back and forth battle between Pixar and DreamWorks and then a new contender arrived seemingly overnight to offer legitimate competition in the form of the Ice Age series (which is now a trilogy with a spin off called Rio nearly complete). The company, of course, is Blue Sky and with distribution being handled by 20th Century Fox, the studio has had an impressive run of CG hits including the Dr. Seuss classic Horton Hears a Who. Robots snuck into the mix back in 2005 with a cast that was impressive even for a big budget CG feature!
The story follows Rodney Copperbottom, voiced by Ewan McGregor, a small town robotic inventor with aspirations of moving beyond his quaint surroundings.
Rodney embarks on a journey to Robot City to meet his idol, the majestic inventor Bigweld, voiced by none other than Mel Brooks.
Once in the big city, Rodney discovers that things aren’t at all like they seemed on television. Before long he hooks up with the Rusties, a ragtag group of street-smart outdated bots including Fender (Robin Williams), his spunky kid sister Piper (voiced by Amanda Bynes), Crank (Drew Carey), and Aunt Fanny (Jennifer Coolidge- that would be Stiffler’s mom from American Pie folks).
The main cast is only further extenuated by a back up cast that includes Halle Berry, Greg Kinnear, Paul Giamatti, Jay Leno, Paula Abdul, Terry Bradshaw, Al Roker and James Earl Jones reprising his famous Darth Vader voice.
Vocal word aside, the film just plain works on many levels. The visuals border on sensory overload at times with almost too much going on in the backgrounds. Multiple viewings are mandatory to fully absorb all of the gags and laughs going on somewhere in the distance at all times.
The humor itself is layered enough to where adults will find themselves snickering at much of the dialog/ sociological (and sometimes light sexual) references while the kiddies will be sufficiently entertained by the sheer novelty of watching the bots’ onscreen interaction.
Comparisons to Pixar’s Wall-E are inevitable due to the nature of the protagonists but in all honesty, the two projects have about as much in common as Star Trek and Buck Rogers (but they’re both about space right?). Where Wall-E tells the tale of a solitary garbage-cleaning robot on earth and his unlikely journey toward repopulating the planet, Robots is a family-based coming of age comedy in an all-robot world (in fact there is no reference to humanity ever having existed here).
Perhaps the piece’s greatest strength is it is one of few that I am aware of that actually demands the computer-animated medium to get its point across. In other words, while many CG features look pretty, their stories could just as easily have been told in 2D art or even live-action. Robots, however, is not one of them! Between mass-transit systems seemingly inspired by the board game Mouse Trap to oceanic tides of dominoes, this one could be realized no other way!
In all Robots is a fun-filled romp from start to finish with enough comedy to keep viewers of all ages paying very close attention both to the onscreen antics and the dialog exchanges (Robin Williams is a rapid fire joke machine that doesn’t ease up for a second).
While it’s true Pixar and DreamWorks continue to try to outdo one another with each animated effort, Blue Sky has been steadily delivering fantastic feature films that emulate nothing out there. Robots continues this tradition with style.
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