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Kind of Blue

Jazz album by Miles Davis

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This Jazz album gets better and better with time!

  • Dec 29, 2006
  • by
I can not say I know anything about Jazz music, although I always loved it due to my parents passion for it, hence I decided to erase my ignorance and start to educate myself about it. So I hinted on this album during the holiday season and ended up getting this as part of my Christmas gift from my father. I wanted this album due to Miles Davis name only. And I was spellbound by it; it's really a breathtaking peace of music. On one hand I was delighted and on the other hand I was upset!! Delighted because I got the chance to listen to this phenomenon, and upset because since I'm going to start my Jazz library I know that anything I listen to after "Kind of Blue" will pale and fade in comparison but I'm sure that the people that I know will also help me on this.

I can listen to "Kind of Blue" over and over and over and not get sick of it. As all the reviewers have stated above and below, it is one of the best if not the best jazz CDs of all time. Rather than repeat the praises of others, I want to say that this album is truly influential for other artist out there and actually puts many records since its time to shame, simply talking recording fidelity here. The actual art contained here has me floored and excited to spend much, much quality time with Miles and friends. Every member of Miles' group is a jazz superstar in his own right. "So What" often gets the most attention, but my favorite chart (of all time, perhaps) is "All Blues". Miles really knows how to create an ambience, and the solos are stunning. "Blue in Green" is also a perfect example of beauty on this album. The only thing I wish different about this song is the length, in fact. It clocks in as the shortest piece on the album, although to make it longer might make it less perfect. The way that Miles can hold a note and make a flub sound like exactly what he meant to do is literally bone chilling. His phrasing is like a ghost that visits the corners of your mind and then moves away just as you are about to grasp it. The alternate take of "Flamenco Sketches" is wonderful and a great bonus in this album.

The music on this is extraordinary, and almost everyone (including none Jazz fans) will love this music the minute they hear it. "Kind of Blue" is a work of art which must be preserved, so that our children and their children will know that beauty did at one time exist in vast amounts and that perhaps they will learn to create it as well. I Highly, highly recommend this!

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More Kind of Blue reviews
review by . September 27, 2002
posted in Music Matters
It is a true joy to listen to Miles Davis and his cohorts blend their instruments in wonderful harmony. The color and tone that Miles, Bill, John, etc. each bring is quite refreshing and relaxing. Flamenco Sketches is especially strong in that respect as Miles emphasizes each note of his passionate solos. Whereas I do not love this CD to death at this point, I can certainly appreciate the beauty on how these masterful musicians feed off each other. And the calming tones surely do create a mood. …
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Jen-Jay AKA:JJI ()
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Married into the military for over a decade and it does has itpros andcons. The lifestyle is great and Ido enjoy it. I'm able to do things and see things that I thought I wouldn't dream of. My kids loves … more
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This is the one jazz record owned by people who don't listen to jazz, and with good reason. The band itself is extraordinary (proof of Miles Davis's masterful casting skills, if not of God's existence), listingJohn ColtraneandJulian "Cannonball" Adderleyon saxophones,Bill Evans(or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's astringency on tenor is counterpoised to Adderley's funky self on alto, with Davis moderating between them as Bill Evans conjures up a still lake of sound on which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is prepared to click off time until eternity. It was the key recording of what became modal jazz, a music free of the fixed harmonies and forms of pop songs. In Davis's men's hands it was a weightless music, but one that refused to fade into the background. In retrospect every note seems perfect, and each piece moves inexorably towards its destiny.--John Szwed
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Label: Sony
Artist: Miles Davis
Release Date: March 25, 1997

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