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Fred Astaire (Icons of America)

1 rating: 5.0
A book by Joseph Epstein

The life of legendary dancer, singer and actor Fred Astaire has been chronicled before, but here, author Epstein (Snobbery:The American Version) brings a winning populist awe to his biographic probe of the movie star's time-tested magic. Epstein's honest … see full wiki

Author: Joseph Epstein
Genre: Biographies & Memoirs
Publisher: Yale University Press
1 review about Fred Astaire (Icons of America)

Forward and in tap shoes

  • Feb 20, 2009
As my DVR filled up the other day with a cable classic-movie channel's Fred Astaire film festival, I was reminded yet again why there hasn't been, and probably won't ever be, a performer quite like Astaire. Far more than "just a dancer," he was a dancer whom dancers from Nureyev to Baryshnikov to Gene Kelly acknowledged had achieved the highest possible standard in his art (Nureyev called Astaire "the greatest dancer in American history"). Far more than "just a singer," he was a singer whom songwriters from Gershwin to Berlin to Porter to Fields wanted to perform their songs (Joseph Epstein tells us something I never knew: that the last word Gershwin uttered on his deathbed was "Astaire"). Anyone who believes that stupid line -- or still more, puts it on a bumper sticker on his or her car -- that Ginger did everything Fred did, only backward and in heels, clearly doesn't know the first thing about Fred Astaire.

Joseph Epstein, on the other hand, knows the first thing, the second thing and things *plus ultra.* He has thought deeply about Astaire the dancer, the singer, the actor, the dance-partner, the clotheshorse, the style icon, the working man, the show-biz aristo from Omaha ... and shares these thoughts in this very well-written and well-voiced essay. While very, very little of this book is about Epstein himself, it still feels remarkably personal because of that distinctive authorial voice. In an odd sort of way, the personal tone of this meditation reinforced the validity of the portrait it created. Even though this is a relatively short book, I came away thinking I understood why Astaire matters more completely than I have some other figures I've encountered in longer, more academic, or more "authoritative" biographies. As much as I enjoy watching Astaire's elegance (a concept Epstein devotes some time to exploring) on screen, Epstein's elegant discussion of it on the page was just as enjoyable. I recommend this to any fan of Astaire, of classic films, of dance, or of fine writing.

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