Oliver Twist was Dickens's second novel and one of his darkest, dealing with burglary, kidnapping, child abuse, prostitution, and murder. Alongside this gallery of horrors are the corrupt and incompetent institutions of 19th-century England set up to address social problems and instead making them worse. The author's moral indignation drives the creation of some of his most memorably grotesque characters: squirming, vile Fagin; brutal Bill Sykes; the brooding, sickly Monks; and Bumble, the pompous and incorrigibly dense beadle. Clearly, a reading of this work must carry the author's passionate narrative voice while being flexible and broad enough to define the wide range of character voices suggested by the text. John Wells's capable but bland reading only suggests the rich possibilities of the material. Restraint and Dickens simply don't go together. The abridgment deftly and seamlessly manages to deliver all major characters and plot lines, but there are many superior audiobook versions of this material, both abridged and unabridged. Not recommended. -John Owen, Advanced Micro Devices, Sunnyvale, CA Copyright 1999 Reed Business Information, Inc.--This text refers to an out of print or unavailable edition of this title.
Does anyone enjoy "Oliver Twist" nearly so much when things are going well for the novel's young protagonist as when they are going badly? Do you notice how quickly you scan the pages when names like "Mr. Brownlow" "Rose" and "Mr. Losberne" are in the text, only slowing down when it's "Fagin" "Sikes" and "Mr. Bumble"? Cruelty can be a positive quality when writing fiction. Dickens' torture test for his young hero saves the book from mawkish excess and, along with an uncompromising … more