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"Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice."

It is typical of Gabriel García Márquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buendía, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics:

A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread.
"Holy Mother of God!" Úrsula shouted.

The story follows 100 years in the life of Macondo, a village founded by José Arcadio Buendía and occupied by descendants all sporting variations on their progenitor's name: his sons, José Arcadio and Aureliano, and grandsons, Aureliano José, Aureliano Segundo, and José Arcadio Segundo. Then there are the women--the two Úrsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of García Márquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom José Arcadio Buendía has killed in a fight. So lonely is the man's shade that it haunts Buendía's house, searching anxiously for water with which to clean its wound. Buendía's wife, Úrsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house."

With One Hundred Years of Solitude Gabriel García Márquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber --This text refers to an out of print or unavailable edition of this title.

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review by . June 28, 2010
This book is full of classic English metaphors. While a rich source of allusions, mystical language, spiritual connections, and, of course, the English professor’s heyday of metaphors, this book proves confusing and a not-enjoyable-at-all-read.   While One Hundred Years of Solitude is destined for a spot in the Canon, readers beware the nature of this novel. Spanning one family’s generations over 100 years, this book begins to break down when you realize that most of the …
review by . July 09, 2010
A dreamy experience of strange love and a families tail.  Captivating from the beginning, Gabriel Garcia Marquez is one of those writers who penetrates a persons sensuality and makes one question logical love.  If you look into your own family history, you just might find the desperate, the insane, the genius, the beautiful and intriguing.  The family in this tail has it all.      I recommend this book to anyone who enjoys Gabriel Garcia Marquez- this is his best!  …
review by . July 02, 2010
One Hundred Years of Solitude tells the story of six generations of the Buendía family and the fictional town of Macondo. Jose Arcadio Buendía founds the town with his wife Ursula after crossing the Andes Mountains running from the law. He settles with about twenty other families and starts up a new life. The town is cut off from society and clings to old customs in the face of new technology brought by a troop of gypsies, led by Melquíades. As the years progress, new technologies …
review by . June 17, 2010
Marquez is a master in weaving this complex, at times disorienting, timeline of a century of family history. I discovered this novel by chance at a used book store. I didn’t know Marquez’s writing, and had no idea what I had stumbled upon. Even in translation (to English) his use of language is mesmerizing.  It is not such an easy read to start, and it does take time to settle into the style of writing. At first confusing, some persistence pays off. Letting go and giving into the …
Quick Tip by . July 24, 2010
Definitely pick this book up if you get the chance. Marquez has a great, unique writing style.
Quick Tip by . July 06, 2010
My #1 favorite book of all time. Read it in the summer when weather is hot and sweaty.
Quick Tip by . July 04, 2010
I really enjoyed this book. Maquez has basically created a whole new genre, where magic is an unquestioned part of life. I recommend.
Quick Tip by . July 03, 2010
Love Garcia Marquez!! Such a magical tale!
Quick Tip by . June 28, 2010
Excellent read!
review by . June 28, 2010
This work can only be the product of a mind in an extremely imaginative state. Gabriel Marquez blends the real and the surreal to weave a fantastic tale around the town of Macondo and the Buendia family starting with Jose Arcadio Buendia, the patriarch characterized by his entrepreneurial zeal and scientific spirit who, among other explorations, attempts to use a daguerreotype to disprove the existence of God and all the way to Aureliano who is finally seen deciphering parchments. In between you …
One Hundred Years of Solitude
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