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Waters beginsNight Watchat the end of her tale in 1947 and works her way backwards to 1941. Since she ensures that characters don't spoil the freshness of earlier events by leaking important information, the first part includes a series of conversations that coyly allude to the characters' pasts and make the narrative slightly difficult to comprehend. The feat of entering this tale aurally is compounded by having to follow three separate narrative lines, which Waters later connects with clever Dickensian precision. Juanita McMahon performs the work persuasively. What she lacks in vocal range, she makes up by endowing characters with accents and speech patterns to reflect distinctions of social class. She gives the character Kay's voice such deep Dietrich-like sexual innuendo that one wonders why her lovers abandon her. Recorded Books politely reminds listeners which disk they have started and repeats the last sentence of the previous. Both are welcome features. Despite the initial challenge,Night Watchis a skillfully written historical account of love of all persuasions trying to survive the dark prospects of London during the blitz.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.--This text refers to theAudio CDedition.
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ISBN-10:  1594482306
ISBN-13:  978-1594482304
Author:  Sarah Waters
Publisher:  Riverhead Trade
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review by . March 10, 2010
I read the blurb on the back of the cover of this book and found myself intrigued by the idea that it might end with its beginning. My only reason for not reading earlier was that the book is long and I'm in a lets-read-short-books phase. But the story is actually split into three parts, so I fooled myself into treating each part as a short book, and then I couldn't put it down. I found I really did want to find out what a story told backwards would feel like. And I like the result.   …
The Night Watch
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