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review by . May 29, 2013
posted in ASIANatomy
Too Careful for an Epic to Build Interest and Emotional Power
Feng Xiaogang is one name in Chinese cinema that usually means a film that contains emotional power and often accompanied with such splendid cinematography that Western viewers just eat up his work. While his style of direction isn’t perfect, Feng had impressed with visual splendor with The Banquet, broke hearts with Aftershock and shown such gritty war images with The Assembly. This time, Feng and Liu Zhenyun adapts the novel Remembering 1942, in the 2012 production “Back to 1942”.   …
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