Hip-Hop Culture: Breakdance, MC, DJ, Graffiti
Hip-Hop Culture: Breakdance, MC, DJ, Graffiti
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Freestyle Fellowship's vocal techniques focus on the method of freestyling, as well as a successful infusion of hip hop and jazz. This established the group as forerunners in the sub-genre of jazz rap, also placing them amongst prominent West coast underground rap acts of the early 1990s.

Freestyle Fellowship was formed at the Good Life Café in LA during the early 90s. Originally they were just a group of friends that met up at the Good Life’s open mic sessions. The original Freestyle Fellowship consisted of over 50 members. The Emcees known as Freestyle Fellowship were the members that consistently came to the most open mic sessions.

Officially forming in 1991 and releasing the underground track "To Whom It May Concern", the Fellowship became known in tape-trading circles, identified by their range in rhyming, at times bordering on scat, and Afrocentric messages over jazz inspired beat production. Their 1993 release, Innercity Griots is acknowledged by many to be among the most influential albums in the history of real hip hop. Aceyalone, the most prolific artist of the group in terms of solo album releases, is known for such works as All Balls Don’t Bounce and Love and Hate, a cooperative album with producer RJD2. Mikah 9, P.E.A.C.E. and Self Jupiter also had solo releases, affirming the group’s position as showcase for the varied and individual talents of the individual MC.

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Quick Tip by . September 24, 2009
The perfect blend of hip-hop, skat, and jazz- Freestyle Fellowship is one of the most talented and unique hip-hop groups to come out of LA!
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