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Could SWEET BYE AND BYE be the greatest theatre score no one's ever heard? It certainly boasts an amazing pedigree: music by Vernon Duke, lyrics by Ogden Nash, a book by S. J. Perelman and Al Hirschfeld. It crashed and burned during its pre-Broadway tryout in 1946 for various reasons -- some conceptual, some creative, some casting-related -- but at the end of the day what's left is a glorious collection of songs: restlessly inventive, playful and romantic -- perhaps Vernon Duke's finest theatrical achievement. A futuristic farce sending up big business, telecommunications, robotics, space travel, self-help groups and even the traditions of courtship and matrimony, at heart SWEET BYE AND BYE is a simple love story with some of the most beautiful ballads Broadway had ever heard. The world premiere recording of this Broadway-musical-that-never-was has been lovingly restored from Duke and Nash's original manuscripts by producer Tommy Krasker and orchestrator Jason Carr. With conductor Eric Stern leading the orchestra, and featuring a cast of Broadway and recording veterans -- including Danny Burstein, Philip Chaffin, Jim Stanek, Heidi Blickenstaff, Graham Rowat, Michele Ragusa, Telly Leung, Sara Jean Ford and, in the starring role originated by Dolores Gray, Marin Mazzie -- SWEET BYE AND BYE is perhaps the ultimate jewel in the crown of PS Classics' forgotten musicals series.
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Label:  P.S. Classics
ArtistDanny Burstein, Marin Mazzie, Vernon Duke, Philip Chaffin, Heidi Blickenstaff, Telly Leung, 2011 Studio Cast
Release Date:  July 12, 2011
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review by . August 29, 2011
The songs are worth the price
Sweet Bye and Bye, a 1946 musical that never made it to Broadway, was a disaster despite a pedigree that had music and lyrics written by Vernon Duke and Ogden Nash and a book by S. J. Perlman and Al Herschfeld. From what I’ve read, it deserved its fate. Not only was it set in the future, it labored under the need to be a light hearted, sardonic, humorous and even gentle satire about business…but the four creators didn’t add up to Brecht and Weill. As it happened, the two book …
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