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This brand-new, completely unreleased studio album features 12 previously unreleased studio recordings totalling over 60 minutes of unheard Jimi Hendrix. Ten of these recordings were made between February and May, 1969, as the Jimi Hendrix Experience set out to create the sequel to their groundbreaking 1968 double-albumElectric Ladyland. The album features “Valleys Of Neptune,” one of the most sought after of all of Hendrix’s commercially unavailable recordings, and includes exciting 1969 arrangements of the classic signature songs “Red House,” “Fire,” and “Stone Free.” Also includes unheard studio versions of Hendrix’s inspired interpretations of “Bleeding Heart” (Elmore James) and Cream’s “Sunshine Of Your Love.” Mixed by Eddie Kramer, the engineer for all of Hendrix’s albums throughout the guitarist’s lifetime. Produced by Janie Hendrix, Eddie Kramer, and John McDermott, the team behind all of the acclaimed Jimi Hendrix CD and DVD releases since 1996.

VALLEYS OF NEPTUNE: Track by Track
All of the 12 recordings featured on the album have never before been released on a CD/LP. The songs document the pivotal time period afterElectric Ladylandand before Electric Lady Studios and the recordings made there that would later take form asCry of LoveandFirst Rays.

Valleys of Neptunedocuments both the final studio recordings Jimi made in 1969 with the original Jimi Hendrix Experience and the first efforts with new bassist Billy Cox. As a number of the song titles will be familiar to fans and buyers alike, the following details the key characteristics of each of the tracks onValleys of Neptune.

"Stone Free": The original 1966 recording by the original Jimi Hendrix Experience is best known as one of Jimi’s signature songs. TheJimi Hendrix Experiencebox set (2000) featured a new remake by the original group. Hendrix, Mitch Mitchell, and Billy Cox recorded this version in May 1969. It is a different recording entirely.

"Valleys of Neptune": This track was recorded in September, 1969, and May, 1970. This full-band version has never been released. An extract of a demo Hendrix made of this song -- featuring just Mitchell on drums and percussionist Juma Sultan -- was part of the short-lived Reprise/Polydor albumLifelines,which was in the marketplace between 1990 to 1992.

"Bleeding Heart": This cover of the classic blues song by Elmore James is different entirely from the versions featured onSouth Saturn Deltaand (originally) onWar Heroes. This recording has never been issued and features Jimi, Billy Cox, and drummer Rocky Isaac. It was recorded in April, 1969.

"Hear My Train A Comin’": This electric, full-band version is different from the famous 12-string acoustic version that was featured in the 1973 documentaryJimi Hendrixand subsequently on the albumJimi Hendrix: Blues.

"Mr. Bad Luck": Like “Valleys of Neptune”, a different version of this song was part ofLifelinesin (1990). Jimi would later develop this song as “Look Over Yonder,” issued as part ofSouth Saturn Delta.

"Sunshine of Your Love": A stage favorite for the group during the 1969 period which has never been released.

"Lover Man": Jimi recorded many different arrangements of this song, including the versions on both theJimi Hendrix Experiencebox set (2000) andSouth Saturn Delta. This is an entirely different recording made in February, 1969.

"Ships Passing Through the Night": A never-before-released track taken from the last recording session by the original Jimi Hendrix Experience on 4/14/69.

"Fire/Red House": Both of these songs by the original Jimi Hendrix Experience were recorded at the same February, 1969, session. They feature the expanded stage arrangements Jimi had developed and are not alternate takes of the original 1967 recordings.

"Lullaby for the Summer/Crying Blue Rain": These April, 1969, recordings by the original Jimi Hendrix Experience have never been released.
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Details

Label:  Sony Legacy
ArtistJimi Hendrix
Genre:  Classic Rock
Release Date:  March 9, 2010
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review by . March 11, 2010
posted in Music Matters
Valleys of Neptune feels like what might have happened next. This is an imperfect album, but it is head and shoulders better than anything that has been released from the foot locker of Hendrix tapes. I'm a huge fan; this album holds a warm place in my Hendrix collection.    Listening to this album I was transported back to the early seventies, laying on the living room floor, parents not home, with the volume up as loud as my ears could stand (maybe 7 or 8), listening between …
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