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#1 of 10 from Stanley Kubrick's 10 Best Movies by
“This was the 1st movie that convinced me that classical music had something to offer me. I never really cared for that kind of music before this movie.”
posted in SF Signal
#9 of 10 from Top Scifi / Fantasy Movie Soundtracks by
“A groundbreaking movie, way ahead of its time. I haven't always appreciated the complexities and depth of this flick but I always seem to catch something new when I watch it now.”
posted in SF Signal
#1 of 10 from Top SciFi Movies by
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#9 of 30 from Top 100 movies of all time Part (3) by
“Great movie got me enthousiastic for filmschool. Love when spectacle is combined with depth of content.”
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#10 of 10 from My top ten favorite movies. by
“Dull as dishwater telling of Clark's classic story. It also manages to be boring and pretentious to such as extent that if you dare mention not liking the film someone will always
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#3 of 12 from I Hate Your Favorite Movie--nothing personal by
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2001: A Space Odyssey (occasionally referred to as simply 2001) is a 1968 epic science fiction film directed by Stanley Kubrick released by Metro-Goldwyn-Mayer and written by Kubrick and Arthur C. Clarke. The film deals with thematic elements of human evolution, technology, artificial intelligence, and extraterrestrial life, and is notable for its scientific realism, pioneering special effects, ambiguous imagery that is open-ended to a point approaching surrealism, sound in place of traditional narrative techniques, and minimal use of dialogue.

The film has a memorable soundtrack—the result of the association that Kubrick made between the rotary motion of the satellites and the dancers of waltzes, which led him to use the The Blue Danube waltz by Johann Strauss II, and the famous symphonic poem Also sprach Zarathustra by Richard Strauss, to portray the philosophical evolution of Man theorized in Nietzsche's homonymous work.

Despite initially receiving mixed reviews, 2001: A Space Odyssey is today recognized by many critics and audiences as one of the greatest films ever made; the 2002 Sight & Sound poll of critics ranked it among the top ten films of all time. It was nominated for four Academy Awards, and received one for visual effects. In 1991, it was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry.
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