A 2010 movie directed by Joseph Kosinski.
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Let’s get one thing straight: alien invasion movies are a dime-a-dozen these days, they’re the easiest way to make a quick buck. So if you’re going into “Battle: Los Angeles” with the usual expectations, you would be both right and wrong. This film by director Jonathan Liebesmann (Darkness Falls) is indeed a movie with extraterrestrials in it, but at heart, it is a war-military film that has the "staplings" of past war movies. I would say that it does try … more
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Alien invasion films are a dime a dozen. They've been around forever it seems. From classics like the original War of the Worlds to mildly enjoyable films like Signs and a multitude of clunkers that include Tom Cruise's shot at War of the Worlds, there is an endless supply of "let's take over humanity" flicks. When I heard that Battle: Los Angeles was coming to the big screen, I was torn. Why? Because previews of the film … more
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* out of **** Every year, dozens of mediocre action movies release. Given that I believe those dozens of action films to be mediocre, I am seldom impressed by the genre. With that being said, those films are decent; mediocre, if you may. Meanwhile, Jonathan Liebesman's "Battle: Las Angeles" is just plain bad. Why do people get paid to make movies like this one? They entertain a certain audience, sure. I get that. We all need to make money. But please...is … more
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Was kind of bored to be honest. Never hard any wow moments. Some of the machines/weapons they use are pretty cool though. Some parts of it style wise reminded me of Killzone a little bit too. Should have waited to see this at the dollar movie .. ah well.
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Battle: Los Angeles is only a mediocre addition to the alien invasion genre. Poor L.A., always getting beaten up either by weather anomalies (Day After Tomorrow), giant meteors (Deep Impact), the Mayan doomsday calendar (2012) – and yes, many alien invasions staking their claim on the City of Angels. Maybe L.A. is always a target in disaster films because, well, this is where films are made, so there's an affinity. Now count Battle: Los Angeles as one of them. You … more
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The planet is being bombarded by small meteors that are landing outside the beach coasts in the water. Military intelligence learns that the meteors are actually slowing down before impact. Minutes later various cities are being attacked with Los Angeles apparently taking the worst of it. A Marine unit is sent into Los Angeles to battle and rescue any civilians found on the scene. But what exactly are they up against?-summary Battle: Los Angeles directed by Jonathan Liebesman … more
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BATTLE LOS ANGELES Written by Christopher Bertolini Directed by Jonathan Liebesman Starring Aaron Eckhart, Michelle Rodriguez, Bridget Moynahan and Michael Pena Announcer: One thing is clear; the world is at war. Director Jonathan Liebesman, the man who brought us DARKNESS FALLS and a TEXAS CHAINSAW MASSACRE prequel, is about to make contact with his latest film, BATTLE LOS ANGELES. He drops his … more
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War movies depicting a group of soldiers against overwhelming odds are nothing new. For generations, moviegoers have been treated to cinematic recreations as well as new scenarios of fighting units in combat. Usually these films follow a typical formula that includes the tough and gritty commanding officer, the naïve new soldier, the one with a woman and children waiting at home, and one who has difficulties with combat. In the new movie Battle: Los Angeles a new twist is given to the formulaic … more
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There is something about invasion films that always seem to bring in scores of movie go-ers, regardless of the quality of the film.. Over the last few years we have had a few great alien invasion films like District 9 and even Cloverfield, if the handheld cinematography did not cause motion sickness; but we have also has some really bad invasion films, such as Skyline, which gave the appearance that it would be good though in reality, it had NO point). Two weeks ago I Am Number Four came out, and … more
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Star Rating: Battle: Los Angeles is shot and edited in much the same way as a realistic war movie – quick cuts, shaky handheld cameras, moments of action so blurred that it’s next to impossible to tell who’s doing what to whom – and it aims to be emotionally draining as we watch scene after scene of death and destruction. It’s a visceral experience, one in which we’re made to feel immersed and vulnerable. These techniques … more
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