Jan Morrow (Doris Day) and Brad Allen (Rock Hudson) have never met, but they're sworn enemies because of one small appliance in their lives: the telephone. The two share a party line, and Jan is outraged over the amount of time Bill spends wooing women over the phone. A convenient triangle emerges when a client (Tony Randall) of Jan's--she's an interior decorator--falls in love with her and happens to be Brad's old college chum. When Brad makes the connection, he decides to try to court Jan himself, to make her more sympathetic to his phone woes. Of course, she'd never go for such a heel, so he passes himself off as Rex Stetson, a Texas rancher visiting New York. The ensuing tale, albeit predictable, is lots of fun, with some quick-witted dialogue and some clever use of split-screens for the phone calls. Thelma Ritter is hilarious as Jan's always-hung-over maid, Alma; and the pairing of Rock and Doris works beautifully, as always.--Jenny Brown
Academy Awards, 1960: Best writing, story and screenplay--written directly for the screen.
PILLOW TALK marked the first onscreen pairing for Doris Day and Rock Hudson. Their remarkable, once-in-a-lifetime chemistry made their movies true classics, and PILLOW TALK is still the best of the bunch. Day plays Jan Morrow, a prim designer, forced to share a telephone partyline with oily womaniser Brad Allen (Hudson). As the sparks fly so do the one-liners, when Brad decides to have a little fun with uptight Jan. He masquerades as a bashful Texan and quickly wins her affections, … more