Pushing his themes of sexual liberation to their boiling point, Yugoslavian art-house provocateur Dusan Makavejev followed his international sensation WR: Mysteries of the Organism with this full-throated shriek in the face of bourgeois complacency and movie watching. Sweet Movie tackles the limits of personal and political freedom with kaleidoscopic feverishness, shuttling viewers from a gynecological beauty pageant to a grotesque food orgy with scatological, taboo-shattering glee. With its lewd abandon and sketch-comedy perversity, Sweet Movie became both a cult staple and an exemplar of the envelope pushing of 1970s cinema.
While typing this I still can't believe what I just watched and thankfully enough I had a couple of wine glass's to relax my senses. This movie is like all over the place but its essentially two inter-cut stories, but I can explain better by separating them two. Weirdly enough I'll start with the second story with a woman (Anna Prucnal) who helms a boat through the canals of Amsterdam with a bust of Marx on the bow. A sailor on a bicycle from the battleship Potemkin pursues her, as he wants to be … more