Released to theaters in the culture-quaking aftermath of two historic assassinations, Targets couldn't be expected to generate a substantial box office profit. Peter Bogdanovich's second theatrical feature is as much a seminal gem of New Hollywood as more successful productions such as Bonnie and Clyde or The Graduate - an exemplary crime drama and among the most engrossing motion pictures of the nineteen-sixties. However, Targets' knowing acknowledgment of the American New Wave's inchoate swell … more