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The Ring

2002 American remake of the 1998 Japanese horror film, Ring (also known as Ringu) ... see full wiki

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45 Ratings: +2.4

Release Date: October 18, 2002
Genre: Drama, Horror
MPAA Rating: PG-13
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45 Ratings: +2.4
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5 reviews about The Ring

An Amusing Mystery and Suspense Film

Sean_Rhodes
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a review by Sean_Rhodes
Oct 25, 2009
Rating:
+4
I have to preface this review by saying that I didn't actually see Ringu, but I've often heard that Ringu is scary as all hell.  So one day I'll see that.  On the other hand, I did enjoy The Ring and I thought some of its instances were quite good.  However, it is worth saying... The Ring has been branded (unfairly so) as a horror movie.  It isn't actually that much of a horror movie.  It's a Mystery/Suspense.  It has a couple of scary moments--some of which terrified audiences.  But the movie doesn't really seem to hit the chord of being a true-blue horror movie.  The Ring is a good mystery of a movie.  And yes, for those who jump you might find yourself scared. 

I've never been big on whether or not adaptations get everything right.  I've always believed that two entities must stand on their own.  Not only is there a japanese film called Ringu which this one is based off of, but there's also a book on this movie as well.  But most people have probably never even heard of it.  So just keep in mind that even if I had seen Ringu or read the book it was based off of (I've tried to find it... no luck) I'd still believe The Ring should be viewed as its own thing and not necessarily as something else.  I suppose the reason why I enjoyed The Ring when it first came around is because it was very different at the time.  Nowadays the whole, "Let's Americanize a Japanese Horror Film," has become so standard and annoying that it's no fun anymore. 

On the other hand, at the time, The Ring was a little different.  The story is pretty well known nowadays.  Rachel (played by Naomi Watts) is a journalist who has a niece who died after watching a mysterious tape.  It turns out there's a lot more to Rachel's niece than she thought.  She went to a cabin where they found the tape and watched.  Did her niece know she was going to die?  Apparently so.  Rachel, being an investigative journalist, decides to check this out.  It seems like nothing more than a high school rumor.  Until Rachel goes out to the cabin and watches the tape herself.  It's filled nothing but strange, obtuse images that she doesn't understand.  After the tape is done she gets a phone call from a girl that only whispers "Seven days."  Once that happens, you've only got seven days to live.  For Rachel this becomes a race against time.  Can she unravel the mystery of The Ring and save herself?  Or is she doomed?  This becomes the premise.  And as she roams around she begins to see the very images she sees on the tape.  After copious amounts of research, Rachel slowly begins to piece things together.

If there's anything about The Ring which does work, it would be that the movie moves at a really good pace.  We see each and every day that Rachel goes through after viewing the tape, and all the images that she sees but for the most part, there's not a moment when the movie moves slowly.  There are a couple of creepy images, but there's nothing about the movie which screams true-blue horror.  There's no blood and gore or anything like that (it is rated PG-13 after all), but there is a lot of suspense.  It's easy to become curious as to how Rachel will solve the mystery.  The real fear from the movie comes from us worrying about the main character than not.  Perhaps the only part that is truly scary is the film's unique climax. 

Despite not really being horror, it is nice that The Ring does separate itself from some of the typical horror stuff.  It gets labeled a horror because it's scary (as if being scary is the only thing which defines horror), but perhaps why it gets that way is because we become curious about the mystery ourselves.  And as a result of this we're getting a different kind of horror.  A more psychological kind of terror.  There's no mad man running around with a blade or anything like that, but you are getting a story that tries to engage your mind.  Most of it isn't scary... but the fear bone--like the funny bone--is located in different places on different people.  This first film happens to have a more psychological kind of fear.  Some people describe this kind of movie as a "mindfuck," but The Ring is hardly that.  It doesn't do much to try to trick you or mess with your head.  It simply gives you a lot of images that all come together and mean something.  Along with Rachel you're engaged in trying to figure it all out.  For the most part, the story is fairly straightforward.  It has a few twists and turns, but it never once rises up or even tries to be a bloodfest.  There's no running from Point A to Point B or anything like that either.  In fact, throughout much of the movie none of the characters seem to panic at being in the situation they're in.

For the horror enthusiasts that feeds off blood and gore and characters screaming and running from whatever it is that happens to be after them... The Ring isn't for you.  The movie is actually quite subtle.  It moves at a pretty fast and moderate pace, but it's not an action packed film that will end up making you scream.  You may, from time to time, feel anxious or even fear for how Rachel will get out of her situation, but that's really about it.  For the most part the only real fear the movie provokes is your curiosity for how Rachel will survive.

In spite of its interesting premise and mystery, The Ring does have a couple of things that can be bothersome.  The mystery is enticing and intriguing but the movie certainly doesn't put forth a lot of effort in the character development.  We become curious as to how Rachel survives, but many of the movies characters just come off as being wooden.  In some cases (such as Martin Henderson's Noah) they're introduced unexpectedly.  It comes off more as a convenience that Rachel knows him.  They clearly have history but the movie almost never touches upon it in anyway.  So much so that when you find out that the kid in the movie is actually Rachel and Noah's son it comes off as tacked on more so than anything.  And this is primarily because we learn NOTHING about these characters.  Speaking of which, something can also be said about the "creepy child," that you see in this film.  In a time when the creepy kid was already overdone, The Ring manages to make the child creepy but also not very human at all.  He is by far the most wooden and stale character of any of the cast.  In fact, many of the people that Rachel runs into and questions are more interesting than Rachel, Noah or their son.  We don't learn anything about them either, but they still manage to come off as more interesting.

Were it not for the mystery of the tape, or wondering how Rachel would survive the ordeal, The Ring might not be much of a movie worth watching.  It has a great situation... just not great characters thrown into the mix.  At the least, Naomi Watts does give a pretty good performance, and while her character is dull, Naomi Watts is talented enough and charismatic enough to be worth watching on screen.  It's actually a rare moment where the premise and situation is good enough that the characters don't have to be.  On the other the movie might've been infinitely better had we not had to deal with Rachel's son... who's so robotic that the Terminator looks really cute and cuddly. 

It's worth watching at least once. The mystery isn't nearly as interesting otherwise, but you might pick up on more of the hints that are sprinkled throughout.  You might not care about the characters so much (and to an extent they're pretty forgettable) but you might still be curious about Rachel's own survival.  Is it scary?  Parts of it can be, but on the whole, The Ring keeps you much more entranced with suspense than anything else. 
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Leaking TVs, horses freaking out: just another day in the life of Samara

jbeswick
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a review by jbeswick
Apr 23, 2009
Rating:
+4
I'm not entirely on board with many of the J-horror remakes - there seems to be something deeply entrenched in the Japanese psyche that doesn't translate well (if anyone reading this is from Japan, please let me know why little girls are so paralyzingly scary, because I've always suspected that they are). 
I don't think The Grudge pulled it off: if you were a neighbor of that house, you'd definitely wonder what in the hell is going on. Literally everyone who enters the house is dead: tenants, owners, police and now the  mailman. I mean seriously, the place needs to be leveled by the army. Either 100 people are living in some sort of commune on the top floor or someone need to bulk-order some body bags. I think I'd be packing up my stuff and changing neighborhoods - I've moved for a lot less in the past.

There was a phase in the general media around the same time of Ringu where the theme was if you were exposed to something, it would kill you. In this case it's the video, but in the (terrible) film Fear.com it was about a website visit that would dispatch you, and in Chuck Palahniak's Lullaby it was about a poem that would send people on their merry way. As I kid, I remember hearing the tale of Bloody Mary and I also saw Candyman, and even then I wasn't going to take the 0.01% odds that either of these stories are true. To this day, you couldn't pay me to say Candyman three times in the bathroom mirror. So in The Ring, some of these guys must have had their common sense glands removed to watch a video that's guaranteed to kill you. This seems ripe for Darwin Award nomination.

In short, Samara is very, very bad news. She has no redeeming qualities, and you definitely don't want to be on her Christmas card list. She will seriously screw with your TV, and it speaks to her thorough unpleasantness when a leaking $5,000 plasma TV is the least of your worries. This would be a somewhat run-of-the-mill ghost chasing film except for the final twist which raises Samara from the level of quasi-evil to being actually quite definitely demonic. 

Really the worst part of the whole movie is the setup of the hero. It's seriously lazy writing to make your main character a journalist or a cop, just because you need an excuse to have someone investigate the plot. It's really right up there with voice-overs and building sequences around cell phone calls as lazy, lazy writing. Why not tell the story from the point of view of a parent whose child was murdered? Or the kid who accidentally watches the film? Or anything else, just not a journalist or a cop. *Sigh*



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Ring

honeybee
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a review by honeybee
May 16, 2009
Rating:
+4
I'm use to seeing horror movies with zombies, vampires, blood and gore so when I saw this movie it really gave me the creeps. I don't know if it was all the hype behind the movie or the movie itself ,but the movie had us (my sister, niece and I) so scare that we did not want to answer the phone when it ringed.  That was probably because our house phone ringed right after seeing the 'ring video tape' on the movie.  There was not much detail as to why the little girl in the ring had those abilities, but some of that is explained in part two.  Anyway if you want a horror movie that will spook you instead of disgust you I recommend The Ring.
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You will die of brain rot after you see THE RING!!!

Captain_Couth
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a review by Captain_Couth
May 2, 2009
Rating:
-1
Cheap thrills. That's a summary of the entire film. The Ring (2002) is a dumbed down Hollywood version of the Japanese horror film Ringu (1999). The Ring is actually two movies in one, it combines both elements of Ringu and Ringu 2. Instead of making a straight horror ghost story like the Japanese version, The Ring suffers from the old scheme of trying too hard. Yes, it tries to be scary, hip and an instant classic. The movie fails on all three levels. The subliminal scenes are of old hat nature, adding elements to this film that were not in the original damage the film's chill factor and the liberal amounts of cheap scares land this movie right in the middle of Cheeseville.

Naomi Watts is several years older than the character is suppose to be and by literally transposing scenes from the Japanese version will not make any sense to most of the audience giving Ms. Watts the aura of being a bad parent. The child in the movie is too cold for his own good and the father character is bad. I did not enjoy the film when I first saw it and after viewing it recently I still don't. Why mess with a good thing? Why did they have to add the t&a factor into the picture? Not only is the film bad but cheap as well. 
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Solid 'Ring' with a Few Gaps in the Link

JP_Rocky_Raccoon
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a review by JP_Rocky_Raccoon
in the Movie Hype community
Jun 22, 2008
Rating:
+3
(3.5 *'s) Nearly into the first thirty-five minutes of `The Ring' I got so many jolts, I nearly turned the DVD off. Popular, and often revered by horror fans, the film renders a favorably mixed bag. Conceptually it frightens and fascinates even if its premise is hokey, and there are many rules of thumb that are broken or inconsistent. Still, I was glad to take the journey. If the goal of a horror movie is to scare and tell a story, then the film truly has the goods to deliver.

The movie is nearly universal, so I'll be brief: Two teenage girls, Katie Embry and Becca Kotler, are sharing the tale of a video that once seen will be followed by a threatening phone call announcing the viewer has but one week to live. The girls are playing it out as a ghost story as they jive and enthuse one another, but on every other turn each becomes serious until one girl gets the phone call. There are many false alarms that work effectively, but once we're in, there's no turning back.

A short time later, the death sentence has turned out to be true and the haunted vision comes upon those who have viewed the videotape. Anyone would pass it off except all the teenagers associated with it stayed at a cabin with the tape turn up dead.

Naturally, believing it or not requires investigation, so Katie's aunt, Rachel Keller (Naomi Watts) is every bit willing and ready as she tries to tie together who or what caused her niece's death. Her own son, Aidan (David Dorfman) is much like Cole in `The Sixth Sense,' and his own supernatural take on dreams and drawings gives us more of an eerie feeling about the whole affair. Her loved one (Martin Henderson) is drawn into the sleuthing mission, but his skepticism does much for the film's tension.

`The Ring' is a carefully crafted full-length `Twilight Zone' or `Night Gallery' adventure. There was one episode of the latter where a "Nutcracker" curse was brought upon its recipients, but that was shorter with rules that seemed to work better. Much of the credibility comes from the videotape itself, which would win in an art exhibition and brings much atmosphere to the movie, but it stretches belief a bit. (Sprinkling clues to bring participants to the truth of a mystery--why not leave a straightforward message? This is answered partly in the movie, but not well enough.)

As a story it works. It does have a mystery to unveil, and mostly it is a satisfying tale of tragedy, but I do have some complaints about the ending. Without revealing the store, there's a scene played out near the fireplace that brings some question as to the rules being broken near the end. The ending is meant to be a chilling resolution, but unintentionally the fireplace scene shows that the powers that be can be manipulated. Let's just say I see a way out of the curse that the ending doesn't seem to indicate.

(Based on a novel by Japanese author Koji Suzuki and an original Japanese movie. Directed by Gore Verbinski.)

(Special thanks to fellow reviewer Steve Hedge for putting this film on my radar screen.)
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Disturbing images and a few good shocks don't stopThe Ringfrom being a hash of half-baked ideas. It's the kind of frightfest you'll watch to set a chilling mood or spook your susceptible friends, but when you try to sort it out, this well-mounted American remake (of the 1998 Japanese hitRingu, based on Koji Suzuki's popular novel) collapses into a heap of incoherent parts. The negligible plot follows a Seattle reporter (Naomi Watts) as she investigates the death of her niece, the victim of a mysterious videotape that, according to vague urban legend, causes the viewer's death seven days later. (Fear Dot Comborrowed the same idea while avoiding this film's lofty pretensions.) The reporter, her son, and her estranged boyfriend view the tape, and the film's countdown structure follows them into deepening layers of terror--all quite effective until the movie attempts to explain itself. At that you're better off shutting down your brain and letting the creepy visuals take over.--Jeff Shannon
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