“Ah another John Carpenter popped up on this list, and why not? It was one of his best before he went a little insane. Uncomprimisingly scary and always a bit of a mystery on who is …”
#8 of 9 from
My absolute favorite horror/mysteries
by Ianmat
“I almost forgot about this film by John Carpenter. This movie is scary as hell and will really give you the willies! Kurt Russell is in this film and it is just really good!”
#10 of 10 from
In Time for Halloween! My Favorite Horror Movies!
by Husher315
“When it comes to be an interesting critter, Carpenter's version does have it all over the 50's original.”
“This remake of ‘The Thing From Another World’ builds tension and suspense without spilling much blood. Well, except for that one critical scene, that is. But that’s a sign of a …”
#7 of 10 from
Top 10 Horror Remakes
by orimental
Director John Carpenter and special makeup effects master Rob Bottin teamed up for this 1982 remake of the 1951 science fiction classicThe Thing from Another World, and the result is a mixed blessing. It's got moments of highly effective terror and spine-tingling suspense, but it's mostly a showcase for some of the goriest and most horrifically grotesque makeup effects ever created for a movie. With such highlights as a dog that splits open and blossoms into something indescribably gruesome, this is the kind of movie for die-hard horror fans and anyone who slows down to stare at fatal traffic accidents. On those terms, however, it's hard not to be impressed by the movie's wild and wacky freak show. It all begins when scientists at an arctic research station discover an alien spacecraft under the thick ice, and thaw out the alien body found aboard. What they don't know is that the alien can assume any human form, and before long the scientists can't tell who's real and who's a deadly alien threat. Kurt Russell leads the battle against the terrifying intruder, and the supporting cast includes Richard Masur, Richard Dysart, Donald Moffat, and Wilford Brimley. They're all playing standard characters who are neglected by the mechanistic screenplay (based on the classic sci-fi story "Who Goes There?" by John W. Campbell), but Carpenter's emphasis is clearly on the gross-out effects and escalating tension. If you've got the ...