An American post-apocalyptic zombie comedy movie. ... see full wiki
I can't believe the hate this flick is getting, for me it was zombie comedy heaven all wrapped up in a nice new package. We've seen zombies presented in all sorts of ways before but generally we get them in the same old unimaginative way; people get trapped in a house or other edifice and try to fight them off. Yeah. I saw that back in the 1960s and I've been ready for something else for a long time now so I appreciate any new twist to the formula no matter how slight. The twist here is that ZOMBIELAND is character driven. If it weren't for its 2 main characters, Columbus and Tallahassee, this flick wouldn't be half as interesting as it is. Columbus is an agoraphobic kid who has managed to survive the zombie apocalypse because he has never trusted anyone and by strict adherence to a set of rules he's devised. Tallahassee is just a mean son of bitch who would survive ANY apocalypse. The other twist (and what might be irking zombie fans who don't want a story with their carnage) is that ZOMBIELAND is a horror flick wrapped around a coming of age film. But don't let that put you off in spite of what you might read elsewhere because ZOMBIELAND has more blood and guts and zombie kills during the credits than most films have in their first hour plus it has a finale of nearly unequaled slaughter, numerical speaking. It also has the most bombastic hero ever to level a shotgun at the walking (or sprinting) dead in the form of Tallahassee, Woody Harrelson in a role that would revive anybodies sagging career. Does it have flaws? Sure it does. For one thing it could have given us more Harrelson but maybe in the end it's better to leave your audience wanting more than to wear out your welcome.
It may not be as clever as FIDO,as consistent as SHAUN OF THE DEAD, or as outrageous as DEAD-ALIVE but this is a pretty damned good flick with some serious laughs, some funny kills, and a zombie slaughtering hero par excellence and you really ought to see it in the theater.
Highly recommended: 4.5 rounded up.
HYPE Level: High and Well Deserved





A mixed bag of horror, romance, comedy, action flick, and road movie, Zombie land stars Tallahassee and Columbus as an unlikely odd couple who travel through post apocalyptic America, blasting zombies away at every chance they get. Along the way they stumble across Wichita and Little Rock, two devious young women who are as quick as they are ill prepared to deal with a world full ofthe undead.
But of course the four heroes manage to team up and kick-start a road trip to Pacific Playland, mostly because it's reputed to be a zombie-free amusement park, but also because it's important to have a little fun, even during the end of days. But the real fun of Zombieland lies in the journey, simply because the four leads are so great, the premise is so simply appealing, and the tone is unwaveringly amusing.
First timer Fleischer strikes a powerfully strong balance between gross out gags and a consistently humorous approach. Eisenberg and Harrelson achieve an endearing hero/sidekick relationship, Stone and Breslin add a great pinch of spice and sweetness, and the flick as a whole absolutely breezes by on sheer force of wit, color, and craftily mayhem.
Guaranteed to please the horror fans and comedy fans in equal measure, Zombieland is a pitch perfect example of how the horror/comedy combo work out.
In the near future, a virus will sweep the world, turning almost everyone into flesh-eating, undead monsters with lightning reflexes and ravenous appetites. Civilization has collapsed, and very few living humans remain. Some things, however, never change: Murray is still at the top of the Hollywood food chain, and still insouciant. Columbus (Jesse Eisenberg; Adventureland) is one of the few survivors – mainly because he has always been a skittish germophobe and budding recluse. Columbus adheres to a rigid set of rules, apparently derived from horror movie clichés, which has kept him alive. (Rule No. 31: Always check the back seat. Rule No. 17: Don’t be a hero.) He runs into Tallahassee (Woody Harrelson), who is the Steve McQueen of zombie-killers: bloodlessly efficient and almost too cool for words. Tallahassee’s only weakness is a mad craving for Twinkies. The corpse-grinding guys meet their match in a pair of sisters dubbed Wichita (Emma Stone) and Little Rock (Abigail Breslin), who survive on a wicked mix of brains and sex appeal. The boys just cannot stop underestimating them and falling for their cons. Complications inevitably arise when the group’s “every man for himself” ethos – the characters are designated by hometowns rather than names to keep each other at arm’s length – collides with simple human concern for one another.
Under the surprisingly assured hand of first-time director Ruben Fleischer, the movie has a free-wheeling sense of fun, as if the-powers-that-be really thought about the positives of living in a world conquered by the undead. The loose camerawork and editing — packed with slow-motion and ingeniously skewed angles – translate into a breezy pace that makes the business of stomping zombie ass look like an adventure and almost noble. The idea that all bets are off after the fall of civilization finds its ultimate expression in a liberating scene in which the characters destroy a kitschy souvenir store like rock stars on a bender. When there are no rules, why not turn the dump over? Then again, if there are no rules, what’s the point of violating norms? When the mice play, does it really count if the cat is dead? Wichita and Little Rock convince the boys to accompany them to Pacific Playland (a generic stand-in for the playground of a certain corporate mouse), because they believe the amusement park is a zombie-free zone. It also symbolizes the 12-year-old’s vanished childhood — lost, along with the rest of society, to the undead plague. Of course the supremely confident girls sneak off to enter the park alone, and the facility proves much more challenging than anticipated. And certain characters learn hard lessons about why Columbus keeps that little notebook full of survival rules. (And it ain’t because rules are made to be broken!)
Although this is an R-rated movie about the undead,Zombieland resists getting bogged down in gore, preferring to revel in disgusting use of unspecified, multi-hued ooze streaming from the orifices of the undead. Most of the more extreme violent moments – like dispatching a zombie with garden shears — are implied rather than actually depicted, however, the monsters do shred and eat flesh oncamera. This is not the kind of movie that demands a lot of acting nuance, but the performers do their best to make you root for their characters to survive. Columbus is the most…er, fleshed out, as Eisenberg avoids the easy pitfalls of playing nerds by depicting him more as a misunderstood regular guy. Harrelson’s Tallahassee is only too happy to learn that he is a natural-born killer of zombies with a zest for revenge against the abominations. As the treacherous sisters, Stone (Superbad) and Breslin sparkle as more than mere foils for the boys. Stone resists simply filling the role of love interest, while it’s easy to picture Little Rock as an older version of Little Miss Sunshine’s overachieving Olive.
There’s something very appropriate about a movie featuring brain-eating monsters being perfectly mindless, but it is also totally enjoyable and strangely full of heart.