Whether or not Tom Hanks and Paul Newman fall into the great actors category for their roles in this film seems irrelevant when measuring the film's overall ability to entertain. Sadly, this 30s period piece involving murderous Irish gangsters flops miserably. The plot although reasonable is predictable from the moment the young son appears and begins his monologue against the backdrop of the roiling surf. Actually watching the trailer and drawing your own conclusions sufficiently will convey the film's complete content. Jude Law's lesser but equally grim appearance pushes the negative aspects of the plot to a dark precipice which no healthy mind wishes to go. This is no study of amorality like the much more entertaining and thought-provoking "Talented Mr. Ripley". This one makes you wish you hadn't bothered.
Don't waste your time on a story and atmosphere that depresses rather than engages.
Road to Perdition is a movie that brings you in with the strong performances of its acting cast and keeps your interest with cinematography that is some of the finest ever seen in Hollywood. It is a tale of fathers, their sons, and the gangster era of Al Capone. It pits hit man Michael Sulivan (Hanks) against a bounty hunter (Jude Law) who has been hired by his boss, and father figure John Rooney (Paul Newman) as Sulivan attempts to kill Rooney's trigger happy son (Daniel Craig). At the same time … more
This movie has many, many great things to recommend it. The cinematography and art direction are first rate. The casting is very good, I think. Tom Hanks as an "enforcer" for the mob is not terribly hard to buy. He does his job because its what he owes to his boss, who was like a father to him, and its what keeps his family living a nice life. He works hard to keep his family insulated from what he does for a living, and Hanks is right for the part. We know him as a nice guy. He's trustworthy and … more
InRoad to Perdition, Tom Hanks plays a hit man who finds his heart. Michael Sullivan (Hanks) is the right-hand man of crime boss John Rooney (Paul Newman), but when Sullivan's son accidentally witnesses one of his hits, he must choose between his crime family and his real one. The movie has a slow pace, largely because director Sam Mendes (American Beauty) seems to be in love with the gorgeous period locations. Hanks gives a deceptively battened-down performance at first, only opening up toward the very end of the film, making his character's personal transformation all the more convincing. Newman turns in a masterful piece of work, revealing Rooney's advancing age but at the same time, his terrifying power. Jude Law is also a standout, playing a hit man-photographer with chilling creepiness. This movie requires a little patience, but the beautiful cinematography and moving ending make it well worth the wait.--Ali Davis