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From the cotton-candy sweetness of "Hey Love" to the social commentary of "Living for the City" and "Happy Birthday," the unofficial theme song of the movement to establish a Martin Luther King Jr. national holiday, Stevie Wonder is an icon in the American cultural landscape. Fittingly, Motown Records has released AT THE CLOSE OF A CENTURY, a 70-track box set of his greatest hits. Unlike previously released overviews, CENTURY spans the entire four decades of Wonder's recordings, from 1962 to the mid-'90s. Disc One is stocked with tunes from Little Stevie Wonder's adolescent years, including his first hit, 1962's harmonica-pumping "Fingertips Pts. 1 & 2," and a 1967 version of "Until You Come Back to Me (That's What I'm Gonna Do)," later remade by Aretha Franklin. Wonder's early songs alternately snap with enthusiasm ("Uptight (Everything's Alright)" and "Signed, Sealed, Delivered I'm Yours") and sway with romanticism ("My Cherie Amour" and "For Once in My Life"). But it was after leaving Motown's sometimes-confining creative reins that Wonder went on to make soul -- and pop -- music history with a string of brilliant albums, beginning with the ambitious 1972 MUSIC OF MY MIND. Wonder ruled the decade from that point on, reaching even higher ground with the follow-up TALKING BOOK (1972), the near-perfect INNERVISIONS (1973), the double-LP masterpiece SONGS IN THE KEY OF LIFE (1976), and the pop success HOTTER THAN JULY (1980). With period essentials like "Superwoman (Where ...