Battle: Los Angeles is shot and edited in much the same way as a realistic war movie – quick cuts, shaky handheld cameras, moments of action so blurred that it’s next to impossible to tell who’s doing what to whom – and it aims to be emotionally draining as we watch scene after scene of death and destruction. It’s a visceral experience, one in which we’re made to feel immersed and vulnerable. These techniques did wonders for films such as The Hurt Locker and Saving Private Ryan, and they could have worked for Battle: Los Angeles had it depicted a real combat scenario. The problem is that it’s an alien invasion story, and alien invasion stories are innately preposterous. You know something is wrong when the filmmakers add weight to a genre that’s airy by definition.
Movies like this require a certain degree of amusement, a sense of summer popcorn mindlessness. Battle: Los Angeles is dreary and overwrought, and seems to have been made under the misapprehension that it should be taken seriously. Director Jonathan Liebesman labors mightily in an effort to make the film raw and relentless when he should have been aiming for comic book escapism. Leaving the theater, I felt physically and psychologically exhausted, as if I had witnessed a genuine war movie. This is not how I’m supposed to feel watching aliens shoot lasers while spacecrafts blow up buildings. I should have felt energized and entertained. I should have cheered and laughed and applauded. This movie is a lot of things, but fun is not one of them.
Making matters worse, the film falls into the same trap disaster movies often fall into: It goes all out on special effects, but it skimps on compelling human drama. At the start, we’re shown the names of several characters, and this is problematic for two reasons: (1) Because there are too many for an audience to keep track of; and (2) because most of them will be dead before we have the chance to really know who they are. What little we do learn about them is limited to tiresome war movie clichés, including the soldier who leaves behind a pregnant wife. This harkens back to the World War II movies of the 1950s and ‘60s, in which soldiers carried pictures of their wives or girlfriends in their pockets. If you don’t know what inevitably happens to characters like this, I don’t have the heart to tell you.
The plot is ever so loosely based on actual events. In February of 1942, less than three months after the attack on Pearl Harbor, an aerial barrage of anti-aircraft artillery illuminated the skies above Los Angeles; it was initially thought to be an attack by the Japanese, but was quickly deemed a false alarm. This did not prevent an onslaught of sensational claims, ranging from a government cover up to extraterrestrial activity. The film, which makes no mention of the incident, technically takes place in the future – this coming August, if I remember correctly. A series of strange meteor showers bombard countries all over the world, heralding the arrival of a hostile alien species looking to steal the Earth’s supplies of water.
One of the cities under attack is Los Angeles. It’s here we’re introduced to Marine Staff Sergeant Michael Nantz (Aaron Eckhart), who, despite being a twenty-year veteran and ready to retire, is placed under the command 2nd Lt. William Martinez (Ramon Rodriguez), who quickly realizes that all his training never prepared him for a battle of this magnitude. Because of the life-and-death decisions he made during his last mission in Iraq, Nantz is deeply mistrusted by his platoon. The film is essentially his journey towards redemption; this would have been acceptable had it not come at the expense of hopelessly contrived scenarios, none more obvious than his rescuing of a civilian father and his young son, who Nantz eventually calls “the bravest marine I’ve ever known.”
When the film pauses long enough for the characters to have conversations, we’re hit with awkward dialogue that finds no middle ground between jokiness and melodrama. But these moments are few. Most of the film is an unpleasant roller coaster ride of shootouts and character deaths and a wealth of special effects; I suspect they were spectacular, but alas, the camera rarely lingered long enough for me to notice them. I understand that the intention was to make a realistic movie, but Battle: Los Angeles is not a realistic story, and the filmmakers should have treated it as such. On a personal note, I’m getting tired of films in which Los Angeles gets destroyed by aliens. Between Independence Day and Skyline, you’d swear some filmmakers are holding a grudge. Maybe I’m biased because I live there.
Let’s get one thing straight: alien invasion movies are a dime-a-dozen these days, they’re the easiest way to make a quick buck. So if you’re going into “Battle: Los Angeles” with the usual expectations, you would be both right and wrong. This film by director Jonathan Liebesmann (Darkness Falls) is indeed a movie with extraterrestrials in it, but at heart, it is a war-military film that has the "staplings" of past war movies. I would say that it does try … more
Alien invasion films are a dime a dozen. They've been around forever it seems. From classics like the original War of the Worlds to mildly enjoyable films like Signs and a multitude of clunkers that include Tom Cruise's shot at War of the Worlds, there is an endless supply of "let's take over humanity" flicks. When I heard that Battle: Los Angeles was coming to the big screen, I was torn. Why? Because previews of the film … more
* out of **** Every year, dozens of mediocre action movies release. Given that I believe those dozens of action films to be mediocre, I am seldom impressed by the genre. With that being said, those films are decent; mediocre, if you may. Meanwhile, Jonathan Liebesman's "Battle: Las Angeles" is just plain bad. Why do people get paid to make movies like this one? They entertain a certain audience, sure. I get that. We all need to make money. But please...is … more
Was kind of bored to be honest. Never hard any wow moments. Some of the machines/weapons they use are pretty cool though. Some parts of it style wise reminded me of Killzone a little bit too. Should have waited to see this at the dollar movie .. ah well.
Battle: Los Angeles is only a mediocre addition to the alien invasion genre. Poor L.A., always getting beaten up either by weather anomalies (Day After Tomorrow), giant meteors (Deep Impact), the Mayan doomsday calendar (2012) – and yes, many alien invasions staking their claim on the City of Angels. Maybe L.A. is always a target in disaster films because, well, this is where films are made, so there's an affinity. Now count Battle: Los Angeles as one of them. You … more
The planet is being bombarded by small meteors that are landing outside the beach coasts in the water. Military intelligence learns that the meteors are actually slowing down before impact. Minutes later various cities are being attacked with Los Angeles apparently taking the worst of it. A Marine unit is sent into Los Angeles to battle and rescue any civilians found on the scene. But what exactly are they up against?-summary Battle: Los Angeles directed by Jonathan Liebesman … more
BATTLE LOS ANGELES Written by Christopher Bertolini Directed by Jonathan Liebesman Starring Aaron Eckhart, Michelle Rodriguez, Bridget Moynahan and Michael Pena Announcer: One thing is clear; the world is at war. Director Jonathan Liebesman, the man who brought us DARKNESS FALLS and a TEXAS CHAINSAW MASSACRE prequel, is about to make contact with his latest film, BATTLE LOS ANGELES. He drops his … more
War movies depicting a group of soldiers against overwhelming odds are nothing new. For generations, moviegoers have been treated to cinematic recreations as well as new scenarios of fighting units in combat. Usually these films follow a typical formula that includes the tough and gritty commanding officer, the naïve new soldier, the one with a woman and children waiting at home, and one who has difficulties with combat. In the new movie Battle: Los Angeles a new twist is given to the formulaic … more
There is something about invasion films that always seem to bring in scores of movie go-ers, regardless of the quality of the film.. Over the last few years we have had a few great alien invasion films like District 9 and even Cloverfield, if the handheld cinematography did not cause motion sickness; but we have also has some really bad invasion films, such as Skyline, which gave the appearance that it would be good though in reality, it had NO point). Two weeks ago I Am Number Four came out, and … more
As soon as I saw the trailer for this film I became so excited. I thought this could be a really good mash-up between District 9 and Black Hawk Down. Well, my anticipation grew and my deception is simply huge. I don't even know what to think about this mess. What was the purpose of this movie? What did I just saw? Why the hell almost every time a movie like this comes out the trailer makes me loose my patience and become crazy about the project and after I see it I … more
Growing up a shy kid in a quiet suburb of Los Angeles, Chris Pandolfi knows all about the imagination. Pretend games were always the most fun for him, especially on the school playground; he and his … more
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