BATTLE LOS ANGELES Written by Christopher Bertolini Directed by Jonathan Liebesman Starring Aaron Eckhart, Michelle Rodriguez, Bridget Moynahan and Michael Pena
Announcer: One thing is clear; the world is at war.
Director Jonathan Liebesman, the man who brought us DARKNESS FALLS and a TEXAS CHAINSAW MASSACRE prequel, is about to make contact with his latest film, BATTLE LOS ANGELES. He drops his audience right into the middle of an epic alien invasion bigger than anything you’ve ever seen before on screen. And then, right when it looks like it’s about to get really dire, he takes the action back 24 hours, like a bad television drama might, so that we can contextualize exactly what this devastation has consumed, without realizing whatsoever that no one really cares what happened earlier. All we want to see is what happens next.
By the time you get to what is next, you won’t care what it is. First you have to meet the platoon that will try to save the world. You’ve got an army sergeant with a sketchy service record who has just put in for retirement. He will be leading a band of assorted military types who have never been in combat before. There is one grunt who is getting married, one whose wife is pregnant, one who is a virgin still (and therefore cannot die before losing his virginity) and there is even one soldier whose brother died under the command of his new sergeant. There is oh so much at risk for these boys and, thanks to the blatantly obvious setup, we already know what horror awaits them. Once in combat, hardly any of this back-story even gets brought up though, making it so worth going there to begin with, and Liebesman can focus on what he should have to begin with, blowing stuff up. He blows so much stuff up though that one wonders how he can sustain everything for another 90 minutes. Enter yet another tried and true tension builder; the troop must get themselves and a handful of civilians out of their war zone by a certain time or they will be bombed by an impending American air strike. At least the entire cast getting blown up would have been original.
BATTLE LOS ANGELES is lazy filmmaking. It is one of those pictures that plays out like a bad pitch, so transparent that you can see the Hollywood suits behind the screen counting the money they will make off all who are unfortunate enough to see this disastrous disaster pic. The script is riddled with clichés and none of the actors, not even the usually stellar Aaron Eckhart, can find any meaning in the dialogue they have to force out. (Michelle Rodriguez does a solid job but she’s got to be used to spitting out contrived nonsense by this point in her career.) Even the film’s visual style, the only reason I went to see it, is derivative of DISTRICT 9 – only with all the excitement and electricity sucked out of it. Clearly somebody somewhere wanted to capitalize on that film’s success by stripping it of all intelligent and provocative thought, allowing for more middling audiences to just enjoy kicking some alien ass. It all amounts to nothing more than a losing battle.
Let’s get one thing straight: alien invasion movies are a dime-a-dozen these days, they’re the easiest way to make a quick buck. So if you’re going into “Battle: Los Angeles” with the usual expectations, you would be both right and wrong. This film by director Jonathan Liebesmann (Darkness Falls) is indeed a movie with extraterrestrials in it, but at heart, it is a war-military film that has the "staplings" of past war movies. I would say that it does try … more
Alien invasion films are a dime a dozen. They've been around forever it seems. From classics like the original War of the Worlds to mildly enjoyable films like Signs and a multitude of clunkers that include Tom Cruise's shot at War of the Worlds, there is an endless supply of "let's take over humanity" flicks. When I heard that Battle: Los Angeles was coming to the big screen, I was torn. Why? Because previews of the film … more
* out of **** Every year, dozens of mediocre action movies release. Given that I believe those dozens of action films to be mediocre, I am seldom impressed by the genre. With that being said, those films are decent; mediocre, if you may. Meanwhile, Jonathan Liebesman's "Battle: Las Angeles" is just plain bad. Why do people get paid to make movies like this one? They entertain a certain audience, sure. I get that. We all need to make money. But please...is … more
Was kind of bored to be honest. Never hard any wow moments. Some of the machines/weapons they use are pretty cool though. Some parts of it style wise reminded me of Killzone a little bit too. Should have waited to see this at the dollar movie .. ah well.
Battle: Los Angeles is only a mediocre addition to the alien invasion genre. Poor L.A., always getting beaten up either by weather anomalies (Day After Tomorrow), giant meteors (Deep Impact), the Mayan doomsday calendar (2012) – and yes, many alien invasions staking their claim on the City of Angels. Maybe L.A. is always a target in disaster films because, well, this is where films are made, so there's an affinity. Now count Battle: Los Angeles as one of them. You … more
The planet is being bombarded by small meteors that are landing outside the beach coasts in the water. Military intelligence learns that the meteors are actually slowing down before impact. Minutes later various cities are being attacked with Los Angeles apparently taking the worst of it. A Marine unit is sent into Los Angeles to battle and rescue any civilians found on the scene. But what exactly are they up against?-summary Battle: Los Angeles directed by Jonathan Liebesman … more
War movies depicting a group of soldiers against overwhelming odds are nothing new. For generations, moviegoers have been treated to cinematic recreations as well as new scenarios of fighting units in combat. Usually these films follow a typical formula that includes the tough and gritty commanding officer, the naïve new soldier, the one with a woman and children waiting at home, and one who has difficulties with combat. In the new movie Battle: Los Angeles a new twist is given to the formulaic … more
There is something about invasion films that always seem to bring in scores of movie go-ers, regardless of the quality of the film.. Over the last few years we have had a few great alien invasion films like District 9 and even Cloverfield, if the handheld cinematography did not cause motion sickness; but we have also has some really bad invasion films, such as Skyline, which gave the appearance that it would be good though in reality, it had NO point). Two weeks ago I Am Number Four came out, and … more
Star Rating: Battle: Los Angeles is shot and edited in much the same way as a realistic war movie – quick cuts, shaky handheld cameras, moments of action so blurred that it’s next to impossible to tell who’s doing what to whom – and it aims to be emotionally draining as we watch scene after scene of death and destruction. It’s a visceral experience, one in which we’re made to feel immersed and vulnerable. These techniques … more
As soon as I saw the trailer for this film I became so excited. I thought this could be a really good mash-up between District 9 and Black Hawk Down. Well, my anticipation grew and my deception is simply huge. I don't even know what to think about this mess. What was the purpose of this movie? What did I just saw? Why the hell almost every time a movie like this comes out the trailer makes me loose my patience and become crazy about the project and after I see it I … more
Hello Lunchers. I am a thirty-something guy making his way in Toronto. I am a banker by day and a film critic the rest of the time. Sensitive, sharp and sarcastic are just a few words that start with … more
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