I saw the movie before I had the chance to read this book, so I knew the plot twist at the end of the book. Even knowing this I was blown away by the writing. This book proves just how painfully beautiful written language can be. I have read many reviews about how heavy this book is and is hard to “get into” Yes, this is a heavy book and can be hard to "get into", but once past the first chapter the writing is so breath-takingly beautiful that I cannot do it justice with a review. This story covers the joy, love and pain of WWII and how the war changed lives. The story deals with the what-ifs and maybes that everyone has experienced at some point in life; how just one tiny decision by one person can effect others and change lives forever. This is a story of regret and asking for forgiveness when there is no one left to give that forgiveness. This is not one of history’s greatest romances and happy ending type story, because it depicts real life, but shows just how beautiful real life really is. I cannot help but repeat just how painfully beautiful the style and writing is in this book.
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We meet 13-year-old Briony Tallis in the summer of 1935, as she attempts to stage a production of her new drama "The Trials of Arabella" to welcome home her older, idolized brother Leon. But she soon discovers that her cousins, the glamorous Lola and the twin boys Jackson and Pierrot, aren't up to the task, and directorial ambitions are abandoned as more interesting prospects of preoccupation come onto the scene. The charlady's son, Robbie Turner, appears to be forcing Briony's sister Cecilia to strip in the fountain and sends her obscene letters; Leon has brought home a dim chocolate magnate keen for a war to promote his new "Army Ammo" chocolate bar; and upstairs, Briony's migraine-stricken mother Emily keeps tabs on the house from her bed. Soon, secrets emerge that change the lives of everyone present....
The interwar, upper-middle-class setting of the book's long, masterfully sustained opening section might recall Virginia Woolf or Henry Green, but as we move forward--eventually to the turn of the 21st century--the novel's central concerns emerge, and McEwan's voice becomes clear, even personal. For at heart, Atonement is about the pleasures, pains, and dangers of...