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Batman: Arkham Asylum

A dark and disturbing Batman graphic novel written by Grant Morrison and illustrated by Dave McKean.

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"Sometimes it's only madness that makes us what we are."

  • Dec 12, 2011
Rating:
+4

Batman is summoned by Commissioner Gordon and he's briefed on the current situation. The inmates have taken over Arkham Asylum under the Joker's leadership. It has become a hostage situation and they have made several request. Their final request is for Batman to come to the asylum alone and the hostages will be freed. Batman leaves to confront the Joker and things take off from there. -summary

Written in 1989 by Grant Morrison, Batman - Arkham Asylum: A Serious House on Serious Earth is unlike any Batman story you will ever see even up to this day. I remember reading the story during its original run and I honestly didn't like it for plenty of reasons; I will admit age had a lot to do with it, but the main reason was probably because it didn't really feel like a traditional superhero story. It feels more like a very complicated psychological thriller if anything. I have heard plenty of criticism in regards to this story, and one of the complaints I heard is that it doesn't feel like a Batman story, he was just added to sell the book. I really don't agree with this opinion at all. The story deals with madness not only as a condition, but also on it being quite contagious. Batman is probably the most human of all comic book characters, and I don't believe any other superhero could have been a better choice. He's very close to becoming exactly what he's dedicated his life to fighting against. In his own way, Batman could also be considered mad and that's some of the point being made here.

The first thing one will notice before anything else will be Dave McKean's brilliantly crafted surreal artwork. Visually, this book is a treat to the senses and the use of the artwork is nothing like anything I've seen so far. It uses a traditional painting style and it feels as if you're holding an art museum in your hand, and you're browsing through a score of portraits. If you look closely, you will see the pages closer together are reflecting off of each other. The artwork creates an other worldly nightmarish feel, that reflects the mood being set and the ghastly personalities of the mentally disturbed characters.

The character designs are the perfect fit for this hellish story, and speaking of hell, this is by far the most demonic look for the Joker. He truly has the appearance of a demon straight from the fiery pits. The Mad Hatter, despite him looking the closest to human out of the villains is particularly creepy, and his dialog format is displayed in a harmonic fashion, and being familiar with his voice acting from the animated series, I can imagine his calm and collected humming, and it gives off quite a chilling feel. I like it.

Unfortunately, the artwork will not please everyone, and at one point I didn't care for it either. It has moments where you really have to focus to see what's going on. The dialog uses a different font for the characters, for example, the Joker speaks using bright red dialog that seems to be scribbled in a maniacal fashion. It perfectly fits with what Morrison's doing here, but there are moments where the words are hard to read, and this actually hampers the pace of the reading. I found it distracting on a few occasions. Thankfully, this is only the case with the Joker.

The story uses a dual plot that follows Batman as he's forced to run for his life and avoid his enemies through Arkham. Many detractors I encountered were not happy with the limited action, and they did not care for the psychological elements. Some claim nothing happens here and that couldn't be further from the truth. Joker wants to break Batman, and what he's fighting against is the madness. This also explains why so many of the villains are completely out of character. Arkham Asylum got to them, and that's all there is to it. The second story follows Amadeus Arkham who happens to be the founder of the place; the reader will learn the origins of the house, and how one can be mentally shattered by it. The story uses a lot of symbolism and it switches perspectives often, therefore telling a non linear story that isn't quite easy to get through. In fact, it may take some multiple reads to grasp everything. I know it's taken me several. Now those who are heavily into having their brains played with will no doubt enjoy this more than others. But I feel the heavy symbolism overshadows the plot. This is definitely a story not everyone is going to like.

The story examines very disturbing themes, and some people may be put off by it. It's rather low on gore and many things are left up to the imagination. Batman: Arkham Asylum is indeed deep, chilling, and very dark. I enjoyed this psychotic world along with this take on Batman, but this will not be everyone's thing. If you want something faster paced and more action packed then I recommend Batman: Knightfall , Batman: The Killing Joke, and Batman: The Wrath.

Pros:
-Thought provoking narrative, atmospheric. eerie artwork

Cons:
-Artwork can also be an issue for some, not very action packed

 

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April 25, 2012
"Some claim nothing happens here and that couldn't be further from the truth." I feel sorry for those who read this and end up thinking that. They've missed so much. But clearly you haven't. Well done.
April 25, 2012
Thanks. And I met several of those to. Arkham Asylum is no doubt for the thinking crowd.
 
December 23, 2011
I love McKean's work on this and it's definitely the story that made Morrison's career in my opinion. My only qualm with this one is that it works brilliantly as a stand-alone story, but it doesn't fit well into the Batman mythos as a whole. Then again, most of the best Batman stories of the past 25 years have either been stand-alone tales or graphic novels. DC has issues with long running continuity. Things become stale.
 
December 23, 2011
I love McKean's work on this and it's definitely the story that made Morrison's career in my opinion. My only qualm with this one is that it works brilliantly as a stand-alone story, but it doesn't fit well into the Batman mythos as a whole. Then again, most of the best Batman stories of the past 25 years have either been stand-alone tales or graphic novels. DC has issues with long running continuity. Things become stale.
 
December 12, 2011
Excellent write-up. I was of two minds on this one. I appreciate experimentation in comics but the panels were not always gelling for me -- Arkam is at the new asylum -- Batman stands at the same place decades later and the facade does not match, for example -- and some of the characters seemed parodies. Anyway, great on getting the Mouth of Madness badge. I made a short badge of Grant Morrison stories -- there have been so many collections it was hard to narrow it all down.
December 12, 2011
Thanks. I don't believe this story was canon in the main continuity, but let's say it was. The characters really weren't parodies of themselves at all. The ones who went crazier than what they already were, as well as Batman not being himself is a result of the house itself. If you remember, if you really read the story, or if you caught it, the Mad Hatter states that this house does things to you. He clearly stated that by being in Arkham, the place causes their minds to play tricks. Batman also mentioned to the doctor that their treatments were making them worse, as for the Joker, she also stated that he doesn't have a set personality. He's a different person everyday. Arkham himself experienced the same thing in the house, which is what drove him crazy.
December 13, 2011
Oh yes, I certainly read it, though it's been awhile now. Thanks for clarifying a few points that I missed. I'll need to revisit.
December 13, 2011
A lot of people are so quick to knock the characterizations that they over look that portion. In a way, the house is also the character being developed.
December 13, 2011
I can see that. I did enjoy the crazy art by Dave McKean, which mirrored the insanity of the story. There is an excellent Wiki article on Grant's thinking process. This part struck me as particularly true: " I wanted to approach Batman from the point of view of the dreamlike, emotional and irrational hemisphere, as a response to the very literal, 'realistic', 'left brain' treatment of superheroes which was in vogue at the time, in the wake of The Dark Knight Returns, Watchmen, and others."
 
December 12, 2011
Great write up man, I still enjoy this one.
December 12, 2011
Thanks. It doesn't get better or worse for me ever since I been able to understand it.
 
December 12, 2011
You know this left quite an impression on me when I first read it, but it didn't hold up well after repeat readings. Not to get me wrong, it was good and all, but I guess once you know what was going to happen, it just didn't have that impact on me anymore. I like DKR a lot more than this. I forgot, did you review "Joker"?
December 12, 2011
I like several Batman stories more than this. It took a little while for it to grow on me, but now I do like it. I plan on reviewing Joker before this year is over.
 
1
More Batman: Arkham Asylum (graphic... reviews
review by . June 01, 2012
A riveting, disturbing tale of the Dark Knight's darkest night
         To the dragon, Saint George was a monster.      Keeping hold of that old observation about perspective might help one navigate the hallucinatory maze that is the heart of Batman: Arkham Asylum, Grant Morrison's harrowing work that is one of the most powerful Batman stories in the character's more than 70 years. The narrative plunges us into a nightmarish asylum for the criminally insane that has literally been taken over by the inmates. …
Quick Tip by . December 16, 2011
Visually stunning with a downright creepy narrative. Arkham Asylum is among the better Batman stories that examines madness up close. But I have to admit it won't be everyone's cup of tea.
review by . July 07, 2010
When you gaze long into the abyss....
...      ...      ...      Well, crap.      I don't even know where to begin.      This book makes me feel intellectually inferior as a reader.      Poetic from start to finish, the metaphor, symbolism and allusion are deeper than I even have the brain capacity to comprehend without being reduced to a gibbering servile state in the wake of its dazzling splendiferous Awesome. …
Quick Tip by . June 19, 2010
crazy!
review by . March 26, 2009
First, there are two things anyone interested in purchasing or reading this title should know about it beforehand. One, that it is probably not for everyone's taste as it isn't your traditional Batman vs. the villain-of-the-week sort of story, but rather a darker, more disturbing kind of tale that focuses on a deep, complex exploration of madness, told alternately from three different points of view: that of Amadeus Arkham, founder of the asylum, that of Batman and his other persona, Bruce Wayne, …
review by . March 26, 2009
First, there are two things anyone interested in purchasing or reading this title should know about it beforehand. One, that it is probably not for everyone's taste as it isn't your traditional Batman vs. the villain-of-the-week sort of story, but rather a darker, more disturbing kind of tale that focuses on a deep, complex exploration of madness, told alternately from three different points of view: that of Amadeus Arkham, founder of the asylum, that of Batman and his other persona, Bruce Wayne, …
review by . July 19, 2008
For any beginning comic reader, and even more so for anyone else, "Arkham Asylum" is essential. Claimed by DC to be the best-selling graphic novel of all time, "Arkham Asylum" is deep, psychological, terrifying, and as dark as any comic I've ever read. Grant Morrison writes with an explorative and bleak psychology reminescent of Alan Moore -- but Moore's own darkly contemplative and psychological Batman work, 1988's "Batman: The Killing Joke," was never this ghastly. Thanks to Dave McKean's beautiful …
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About this book

Wiki

In this groundbreaking painted graphic novel, the inmates of Arkham Asylum have taken over Gotham's detention center for the criminally insane on April Fool's Day and demand Batman in exchange for their prisoners. Accepting their demented challenge, Batman is forced to live and endure the personal hells of the Joker, Scarecrow, Poison Ivy, Two-Face and many other of his sworn enemies in order to save the innocents and retake the prison. During his run through this absurd gauntlet, the Dark Knight Detective's own sanity is in jeopardy. This special anniversary edition hardcover also reproduces the original script with annotations by Morrison and editor Karen Berger.
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Details

ISBN-10: 1401204244
ISBN-13: 978-1401204242
Editor: Karen Berger
Author: Grant Morrison, Dave McKean
Genre: Superheroes, Dark Fantasy, Comics & Graphic Novels
Publisher: DC Comics
Date Published: October 1989
Format: Graphic Novel
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