Narrated by Eng, one of a pair of conjoined twins,
Chang and Engis a daring novel that constantly threatens to lose its balance. It's also one that would be hard to believe were it not rigorously grounded in historical fact. Like the (literally) inseparable protagonists of Darin Strauss's debut, Chang and Eng Bunker were born in the early 1800s in a rainy village on the shores of the Mekong Delta. Achieving instant fame as the "Siamese double boy," they toured freak shows throughout China, Europe, and North America. Eventually they settled in North Carolina (of all places), married a pair of sisters, and fathered 21 children between them.
This fictionalized version of their story is narrated by the stronger, more circumspect twin, Eng, who must continually urge Chang to restrain his tears, his burning sexual desires, and his fear of the King of Siam (who has promised to "kill the double-child, the bad omen"). From the beginning, Strauss masterfully delineates the brothers' differences. Yet it's the porous nature of their relationship that will fascinate readers even more. The twins, after all, must always sleep face to face, connected by a fleshy band and the knowledge of their shared monstrosity. The fact that they are neither "he" nor "we" allows the author myriad opportunities for wordplay and psychological riddles. Does Chang love his brother, or does he love himself? When he hates his brother, is it only a piece of himself he is ...
