Years ago I probably would have never given this band a chance. Their oddball style would have drained my last nerve. However, as a skilled musician, I found myelf playing and singing Love Shack with a very congenial group of people. I also recall liking ROAM in site of the unusually arrangements. All these factors brought out curiosity and I borrowed this CD recently.
After a few listens, I have grown to be very fond of this recording. At one time Fred Schenider's voice might have truly annoyed me. But now his style fits in very will with the strong sounding female vocalists. Captivating instrumental support, intricate group harmonies, and cool special effects make this CD a consistenty good one. Each tune brings something different and special to the table. I guess its a certain sophistication that one gets as they open their minds. I am glad that I keep such a perspective.
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About the reviewer
Glenn Wiener (Glennster2008)
I'm a muti faceted person who appreiates a wide array of creative activities.
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Nirvana made a lot of things irrelevant whenNevermindwas released in 1991. Among the most unfortunate casualties caught inside the blast radius were the B-52's. Just two years prior, they had released their very first mainstream breakthrough album,Cosmic Thing. This album was featherweight, sun-kissed, playfully pansexual and, most importantly, danceable. Tracks like "Love Shack" and "Roam" reminded us there could be fun without responsibility. Alternately kitschy and lazy (I still insist that "Deadbeat Club" was a slacker anthem long before Beck's "Loser"),Cosmic Thingtook the B-52's signature Trekkie-camp sensibility and slowed it down just enough to click on MTV and portable radios wonderfully. And let's be honest, anyway: would you rather road-trip to Kurt's sad refrain of "Well, whatever, nevermind" or Fred Schneider belting out, "The whole shack shimmies!!" at the top of his lungs? On second thought, don't answer that.--Todd Levin