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Goodbye Yellow Brick Road

Classic Rock and Pop album by Elton John

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Elton Swings For The Fences

  • Feb 14, 2004
Rating:
+3
Elton John was rapidly ascending pop music's stratosphere in late 1973 when he broke his pattern of releasing one new disc of studio material every nine months and released a two-album set instead. "Goodbye Yellow Brick Road" crystallized a peak point in Elton's public recognition, and its front-loaded selection of savvy melodic concepts and soundscapes made him seem for a moment even bigger than he really was.

Everything about this album, from the gaudy cover and liner note art to the 11-minute long symphonic rocker that opens it, screams "Look at me! I'm massive!" And a lot of the time, it works. That opening track, "Funeral For A Friend/Love Lies Bleeding" represents Elton and his band at a righteous fever pitch, and still sounds amazing all these years on. "Bennie And The Jets" is another big-star moment that resonates still, with the fake audience applause and the false start from the band that still gives me a chill when I hear it on the radio. Elton's falsetto was never in better form.

There are other great songs on this album, especially the title track but also "Grey Seal," "I've Seen That Movie Too," and the beautiful closing ballad, "Harmony," and the temptation is to recommend this to anyone unreservedly for those alone.

But yet... People say "Goodbye Yellow Brick Road" was Elton's absolute peak, but the truth is it wasn't. He wrote some fine songs, but these 17 tracks include misses, too, more duffers than Elton had on his previous two albums put together. "Dirty Little Girl" and "Jamaica Jerk-Off" are the nadirs, but some other songs lose their less ample charms after a mere handful of listens. I'm thinking "Danny Bailey," "All The Girls Love Alice," "Your Sister Can't Twist," and "Social Disease." Other songs are good filler but nothing to get excited about.

Then there's two songs that really annoy me, not because they're bad, just way overplayed and too popular for their own good. "Saturday Night's Alright For Fighting" comes off as limp and flailing, an overbaked tempo tantrum with Taupin's lyrics forcing Elton to claim common cause with a type of mean-street yahoo that would have turned him into a rhinestone-studded stain on the road in a East London minute. And "Candle In The Wind" is just maudlin, working up the whole tired "Marilyn died for our sins" angle of one of pop culture's most overblown icons with a sophomoric melody and lyrics that cry desperation: "I would have liked to known you/but I was just a kid." About all that can be said for it is it's less bad than the version he did on "Live In Australia," and much less bad than the version he sang at the Clinton impeachment trial or some other late-90s calamityfest.

They don't stink, just give people the wrong idea, like Elton was a bit of a poser with bad lyrics and a bottom-line bank account mentality. He did great music before "Goodbye Yellow Brick Road" and great music after. He even did some great music in "Goodbye Yellow Brick Road." I wanted to give this three stars, bah-bah-bah-but one of the songs made me realize it deserves four. Too many good songs to denigrate it, but too much information for the casual fan. If you are going to buy your first Elton studio album, you will like this, but you will like "Honky Chateau," "Don't Shoot Me," "Tumbleweed Connection," and "Capt. Fantastic" more.

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More Goodbye Yellow Brick Road reviews
review by . January 28, 2009
Is "Goodbye Yellow Brick Road" a masterpiece of rock or just the finest album of glamorama ever recorded? The latter. You can have your gold bricks and rock too, but only if there's dirt beneath the gold--and there are only sprinklings of soil beneath the bricks on this record. "Saturday Night's Alright for Fighting" sustains its illusion so well that one might almost buy into it, but, like the album itself, anyone not looking specifically to lose themselves in a glittering fantasy will look into …
review by . October 10, 2000
Its hard to relate to those people who feel that there is alot of excess on this record. Seventeen tracks and hardly a stinker amongst the pack. Whereas Funeral For A Friend/Love Lies Bleeding may be creepy to some, Elton has rarely been more creative on another piece of music than on this overture. Candle In The Wind has some beautiful touching lyrics. My fave, This Song Has No Title works for me as it offers goregous piano runs, soothing vocals, and lyrics that yearn for pleasant things. All in …
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Bill Slocum ()
Ranked #301
Reading is my way of eavesdropping on a thousand conversations, meeting hundreds of new and fascinating people, and discovering what it is about the world I enjoy most. Only after a while, I lose track … more
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Wiki

Rarely mentioned as one of the great double albums,Goodbye Yellow Brick Roadhad to settle for ending up in a few million record collections. So sprawling that it doesn't quite measure up to the earlier, more laid-backHonky Chateauor the later, pushyRock of the Westies, this still holds claim to a lot of brilliant, very pop-savvy music: the winking rebellion of "Bennie and the Jets" and "Saturday Night's Alright for Fighting," the ready-made nostalgia of "The Ballad of Danny Bailey," the downbeat melodicism of "Harmony."--Rickey Wright
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Details

Label: Island
Artist: Elton John
Genre: Pop, Classic Rock
Release Date: February 20, 1996
First to Review

"Classic Material"
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