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Their names are Edge, Larry, Adam and Bono

  • Aug 25, 2006
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Besides Bono, how many people or fans even know who U2 are?

Allow me to explain, I would first like to start this review by asking if all the "real" U2 fans please make your presence known. I am not sure what happened over the past six or seven years, but all of a sudden we have "tons" and "tons" of U2 fans! Are these all-new fans? Or perhaps they are the fickle fans that dropped off the map for nine years! "Come on, you don't have to be shy about it". These are the same fans that were upset with U2's creative/experimental phase. This is the same phase that the band recorded "Achtung Baby", "Zooropa", "Pop", "Soundtracks 1" (recorded under the name Passengers, but still U2) and "The Million Dollar Hotel" soundtrack.

Many people were upset that this wasn't the "real" U2, they weren't sticking to their rock `n roll roots. I tell you what, if you want to hear the same band making the same album over and over again, listen to Aerosmith. So these "fake" fans buy all the concert tickets and keep real fans like myself from getting a seat. Sorry if I sound bitter, I saw U2 on their Pop Mart Tour back in '97, when nobody cared about them. Then all of a sudden in 2000 "Beautiful Day" came out, and everyone was a U2 fan again.

This now leads me to the album "How to Dismantle an Atomic Bomb", this album just like "All that You Can't Leave Behind" built UPON the band's creative/experimental phase, not against it. Songs like "Vertigo", "City of Blinding Lights", "Man and a Woman", "Miracle Drug" and "Original of the Species" all have the framework of the creative/experimental phase. Any U2 fan or person familiar with U2's music cannot deny it. Because their new work doesn't sound like "War" or "Rattle and Hum" or even "The Joshua Tree". There is a group of "so-called" U2 fans that think the band should have called it quits after "The Joshua Tree" was recorded!!

In addition songs featured on ATYCLB, such as "Elevation", "Walk On", "Beautiful Day" and "New York" all have the backbone of the creative/experimental phase. So does "The Ground Beneath Her Feet".

HTDAAB is a great album, moving, fast, slow, emotional and fresh. I have read many reviews stating that U2 is "good but no longer great", I don't think so. These guys have a talent most bands do not possess, they can morph. They can be a rock, pop, techno, mellow, electronic and other adjectives I'm leaving out. Every Grammy they won for this CD was well earned. I wish the band much success in the future. I wish poser fans would re-invest in their musical tastes and look up some U2 lore.

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review by . February 21, 2009
Their would-be comeback mixed the scope of their Eighties work with fragments of their Nineties experiments to breathtaking results; its would-be successor arrived courtesy of Steve Lillywhite, their original producer, and took them "back to basics." The songs themselves are linked by themes of love, peace, war, harmony, and death, themes which need the majestic grandiosity of U2 records like "The Joshua Tree" to be fully expressed. By returning to a raw--U2's version of raw, anyway--sound, similar …
review by . May 04, 2006
U2 is one of the best bands in rock history because they are so passionate. 'How to Dismantle an Atomic Bomb' is characteristic of what they can achieve when they channel their passion well. This C.D. may become known as the pinnacle achievement of their later works. It is consistent throughout, and, like 'All That You Can't Leave Behind,' they skillfully master their new evolutions of sound. Still, it isn't as good as 'Achtung Baby' or 'The Joshua Tree,' but it so cohesive musically, that in some …
review by . March 16, 2005
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Pros: U2 has finally come home     Cons: I'm going to temporarily forget this category exists     The Bottom Line: I've been blessed - I've never given a CD less than five stars. I pick good music!     Listen. Just listen. Just for one go-round, listen. I promise it won’t take long - How to Dismantle an Atomic Bomb clocks in just under 50 minutes. I request this of you because you’re probably thinking the same thing I was: U2 had …
review by . February 08, 2005
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I preface this review by saying that I have not been a fan of U2 for very long. I've heard their songs on and off all my life, but it wasn't until I started paying attention to the lyrics of some of their songs from ALL THAT YOU CAN'T LEAVE BEHIND that I became interested in the band. Since that time I've researched the band fairly well and have come to appreciate their music.     There are many who claim that HOW TO DISMANTLE AN ATOMIC BOMB is a throw-back to U2's roots. Musically, …
review by . January 23, 2005
How To Dismantle an Atomic Bomb is a real bringdown for U2. Their previous CD, All That You Can't Leave Behind was a career highlight. Almost every song on that CD had a memorable melody. On How To Dismantle An Atomic Bomb, the melodies are few and far between.    At the least the CD starts out strong with the high energy single Vertigo. Origin of the Species, Sometimes You Can't Make It On Your Own, and One Step Closer are the best of the rest as on the fourth listen their melodies …
review by . November 30, 2004
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I've been a U2 fan since my early teens. Some of my fondest High School memories from the mid-80's involve watching MTV in science class--and seeing videos like "Sunday, Bloody Sunday" and "All Is White On New Year's Day". (I know, we should have been learning science...)    I enjoy how U2 has evolved as a band, although my favorite era *was* the mid-80's.    This CD changed all that.    If it wasn't for Vertigo playing on commercials, …
review by . November 23, 2004
Irish rock vets U2 have released another fine album. This album has influences from multiple stages of U2's career, and highlights include tracks like Miracle Drug, Yahweh, Sometimes You Can't Make it On Your Own, City of Blinding Lights, and Original of the Species. Bono's voice is a bit worn but his lyrics remain in top form along with Edge's guitar work. Modern rock music often lacks the tuneful artistry found in U2's albums, so this album is likely to be well-received, even though it doesn't …
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Joshua E Hoppock ()
Ranked #101
It is rather brisk in this field. The leaves are descending like a tapestry of aloof dreams. The wind entices these leaves into a plume of whimsical billowing ontological paradox. Then I recall that I … more
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This edition of HOW TO DISMANTLE AN ATOMIC BOMB includes a bonus DVD that features a documentary film and live performances. U2: Bono (vocals); The Edge (guitar); Adam Clayton (bass guitar); Larry Mullen, Jr. (drums, percussion). Much in the manner of their previous album, ALL THAT YOU CAN'T LEAVE BEHIND, U2 largely strips down the stadium-sized approach of years past on the provocatively titled HOW TO DISMANTLE AN ATOMIC BOMB. Whether they were inspired by the garage-rock revival that took place in between the two records, or just felt like making some visceral rock & roll, this 2004 release has as much unbridled energy as such early U2 benchmarks as BOY or WAR. The album starts with a bang, courtesy of the charging, angular "Vertigo," whose driving bass line and shouted vocals announce the band's intentions in no uncertain terms. The bluesy "Love and Peace or Else," and the fuzz-guitar-fueled "All Because of You" follow suit in a similarly high-energy manner. That's not to say that this is a mere rockf...
Song List: Disc 1
1. Vertigo
2. Miracle Drug
3. Sometimes You Can't Make It on Your Own
4. Love and Peace or Else
5. City of Blinding Lights
6. All Because of You
7. Man and a Woman, A
8. Crumbs From Your Table
9. One Step Closer
10. Origin of the Species
11. Yaweh
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Label: Interscope Records (USA)
Artist: U2
Release Date: November 23, 2004

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