|
Movies Books Music Food Tv Shows Technology Politics Video Games Parenting Fashion Green Living more >

Lunch » Tags » Music » Reviews » Symphonicities » User review

Symphonicities

Classical, Pop, and Rock album by Sting

< read all 2 reviews

I like the music on this disc very much.

  • Jul 15, 2010
Rating:
+5
Sting reworks some of his greatest hits with the Royal Philharmonic Concert Orchestra backing him. Some of these tracks I would consider classics. Some songs are not that well known, but I enjoy them anyway. My favorite track would be "Englishman In New York". This song celebrates individuality. I love the clarinet playing on this tune. I think the violin and harp playing on Roxanne gives this song a romantic dignified tone. "Next To You" is a tune with a great beat. All the musicians playing their instruments in unison gives this a energetic punch that I love. "When We Dance" is a beautiful somber love song. The piano playing on this song is simply lovely. Sting plays the harmonica on the track "I Hung My Head". He makes a song about feeling guilty sound beautiful. "Eveything She Does Is Magic" is another gem on here. The musicians in the orchestra play flawlessly together on this song. "We Work The Black Seam Together" is a very moving song about displaced coal miners. This is one of Sting's lesser known songs, but I think it is musically arranged well. The subtle horn playing on this track is superb. "End Of The Game" is another lesser known song about foxes running for dear life. I like the cellos playing on this song. "She's Too Good For Me" is a groovy three minute party of a song. Unfortunately, Sting does not sing all of my favorite Sting songs on this disc. I have to buy a concert ticket for his tour in the near future to hear the entire Sting/Police catalog. I love the music on this disc.

What did you think of this review?

Helpful
3
Thought-Provoking
3
Fun to Read
3
Well-Organized
3
Post a Comment
More Symphonicities reviews
review by . July 15, 2010
Oh, Sting. My affection for the man and his work gives me the courage even now to pronounce that he was the first popular artist I ever loved, first via the Police and shortly thereafter through his zany body of solo work. Then he'd fallen out of the "Artists to Take Seriously" category, but he hadn't become a joke, yet. Now Sting is one of the rudest jokes in music: it would be hilarious if it weren't such a travesty. He embodies the stereotypical "maturation" of …
About the reviewer
Robert Yokoyama ()
Ranked #46
I love to read new books and talk about them. I also like to listen to different kinds of music and talk about that. I am a friendly guy who likes to meet new people. I love to read books that teach me … more
Consider the Source

Use Trust Points to see how much you can rely on this review.

You
RobertYokoyama
Your ratings:
rate more to improve this
About this topic

Wiki

We could quibble that Sting played it safe Saturday night at the Winspear Opera House. We could complain that he and his stellar three-piece band - drummer Josh Freese, keyboardist David Sancious and guitarist Dominic Miller - pandered to the 30-and-up audience by giving them many familiar solo and Police tunes as well as a few album cuts from that hit-making era.

But that would be dismissing a fabulous show of musicianship, stage presence and song selection. Sting, whose performance was part of the Super Bowl XLV Kick-Off Concert Series, was in stellar artistic form. He was so good that he made us forget how coy those North Texas Super Bowl XLV Host Committee bigwigs were about the headliner of the Sept. 10 gig dubbed "XLV Countdown Live From Cowboys Stadium."

All we know is this person is a Grammy-winner and has sold more than 40 million albums. "Contractual obligations" prohibit them from saying anything else. Instead we got banter from hosts Troy Aikman and Daryl Johnston as well as Roger Staubach, Drew Pearson and Tony Dorsett.

Sting commanded undivided attention for 90 minutes. Looking and sounding most youthful at 58, the Englishman born Gordon Sumner opened with a loosely R&B rendition of "If I Ever Lose My Faith In You." He would effortlessly travel through gems showcasing his grasp of melodies, rhythm and memorable lyrics.

The highlights were the unexpected numbers such as the sauntering "Walking On the Moon" segueing into the moody "Tea In the Sahara," or the ...

view wiki

Details

Label: Deutsche Grammophon
Artist: Sting
Genre: Pop, Rock, Classical
Release Date: July 13, 2010
First to Review
© 2013 Lunch.com, LLC All Rights Reserved
Lunch.com - Relevant reviews by real people.
()
This is you!
Ranked #
Last login
Member since
reviews
comments
ratings
questions
compliments
lists