
Tired of the usual vampire lore? The overused premise of seductive blood suckers? Well, I love movies about vampire and lycanthropic lore. "30 DAYS OF NIGHT" is a film based on the graphic novel/mini-series by Steven Niles and Ben Templesmith. I like vampire movies in general, although I have to say that NOT all "vampire flicks" are created equal. Thankfully, I am happy to say that this film lives up to its promise, and has become one of my favorites.
An isolated small Alaskan town called "Barrow" with a population of 560+ experiences 30 days of total darkness. No sunlight will be seen for a period of a month, so most of the town's inhabitants leave for this period to brighter pastures except for the 152 townsfolk; of whom some one stated that " we live here because we can". On the last day of sunlight, unusual things start to occur; satellite phones are found destroyed, the aforementioned one emergency helicopter is damaged beyond repair, even snow dogs are killed. The town sheriff; Evan Oleson (Jason Hartnett) finds a filthy, bad-toothed drifter (Ben Foster) who seems to be a harbinger of the danger to come. No long, after, the town is under siege by band of inhuman creatures bent on killing everyone in sight...

30 DAYS OF NIGHT is a straight-forward vampire film. It doesn't waste much time setting things up with minor character development with Evan and Stella's (Melissa George) background; with their rocky marriage, characters are introduced quickly and how they are related to the town. Director David Slade goes to the throat with the intensity and apprehension of the screenplay as soon as the band of vampires (led by Danny Huston) makes their appearance. Instead of just going for all-out mayhem, he calculates each scenario and accompanies it with a heart-pounding atmosphere and emotion that builds up the suspense. He also uses silence as an effective strategy to set the film's eerie feel. The cinematography maintains an eerie and ominous feel, with the muted colors, I also rather liked the bird's eye view of the vampire siege with all the mayhem thrown in exposition.


The usual rules to vampirism is applied; vulnerability to sunlight, super-human strength and can turn other humans into vampires. However, the band of vampires seems to have only one goal; to feed on human blood, nothing subtle, but FEED. Before their siege, the pack leader instructs his band to "rip everyone's head off and do not turn them..".The language of the vampires has that ancient-like tone but somewhat sound Germanic is a very nice touch. The vampires are grisly, shrieking, inhuman-looking predators, not the "seductive" blood-suckers that have been the stereotype for many years. However beastly and savage the band may be, but they are far from being dumb; the vampire pack is intelligent and organized (much like wolves are organized). No mental control or shape-changing abilities are displayed, the vampires in this film are portrayed as hungry, vicious, shrieking, deformed beings who assault the sleepy town in a hellish attack. They are somewhat feral "zombies" in appearance, so vampire fans used to the usual images may be taken aback.
The film is not perfect, it does have its shortcomings. It didn't explain why a very minor number of townsfolk have been turned by the vampires (even with the pack leader's instructions) or what rules do apply on how and when a human has been turned. There is something very downright creepy and unsettling in the proceedings; I think this may be the first time I've seen an eight-year-old child turned into a vampire. Also, there are minor weaknesses in the plot where the usual clichés are present; a panicky old man with his son, a fear-fraught man who makes a wrong decision with his family, and a scared teenager. All these factors cause problems for the lead characters. There were quite a lot of instances that I feel that an "extended director's cut" should be released. (I hope and wish for one) Some elements of the film moved too quickly, and it didn't feel like it was 30 days at all. 30 days is a long way for humans to go without a steady supply of food, I would have liked scenes of potential starvation and hunt for food thrown in the mix.
Unfortunately, I haven't read any of the graphic novels (yet) so I cannot determine how faithful the film is to its roots. To the film's credit, the film does succeed on most vampire films have not. It did deliver an intense, grisly and a clever visceral thriller that hits the marks right and never stoops to wallowing in blood and gore alone. It showed a side of the human spirit about courage, the determination to protect its own, and the capability for sacrifice. A band of vampires attacking a small Alaskan town during a 30-day stretch should have been thought of sooner as Danny Huston said in the movie; "We should have come here years ago.".
The film's premise is MUCH more interesting than other films' overused plot with blood-suckers living among us and just preying on beautiful women. It is also a much needed break from the "torture" shows or slasher flicks with unyielding psychopathic killers. "30 DAYS OF NIGHT" is a vampire film with a rarity that achieves its potential. It is more a classic monster film than a contemporary horror movie.
RECOMMENDED! For horror fans..[4 stars]
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