The acting is consistently outstanding. Of course, we know early on that there will be a major confrontation between Blanche and Stanley. Oscar Saul collaborated with Williams on the screenplay which carefully prepares us for it. When it finally occurs, we feel sympathy (if not pity) for Blanche and her relocation to a new home in which, perhaps, she will receive the kindness she so obviously craves. There is great emotional power in this film. Also, I think, sadness with regard to the resolution of Blanche's association with the Kowalskis. With all due respect to Leigh (who received an Academy Award for her performance, as did Hunter and Karl Malden for theirs), I would have preferred Jessica Tandy whom I was privileged to see in the Broadway production. Tandy captured -- in ways and to an extent which Leigh does not -- certain nuances of Blanche's illusions and delusions which are indelibly poignant.
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