It's a fairytale town, isn't it? How's a fairytale town not somebody's f***ing thing?- Harry
Aug 26, 2008
Two hit men, Ray (Colin Farrell) and Ken (Brendan Gleeson) are on a sort of makeshift holiday in Bruges, Belgium after a hit gone wrong. While awaiting word from their boss, Harry (Ralph Fiennes), Ken is interested in sightseeing and the history of the place, while Ray couldn't be more unimpressed and can't wait to escape.
After hearing so many wonderful things about this film I was absolutely prepared to be let down. Movies rarely live up to the hype for me, but I am happy to say this one did and then some.
In Bruges had me laughing out loud, hard and repeatedly, as the political incorrectness and the way Ray and Ken play off each other is hilarious. It had me sobbing big ugly girly tears as the emotion that pours from Ray, his guilt, his sadness, is absolutely palpable and heartbreaking. This movie had me gasping at the violence, on the edge of my seat and on an emotional roller coaster from one minute to the next. It was great.
The performances are grand by all three main characters and the supporting cast lends equally wonderful and interesting performances. I found this to be a multi-dimensional and complex film filled with irony, humor, action and sadness. I was really stunned at the power behind Colin Farrell's performance. He goes from a sort of spazzy, funny, slightly inept and combustible sidekick to a sensitive, deeply tortured soul in about 2 seconds and every facet of his character is believable and brilliant.
In Bruges is one of those quotable films with a billion awesome one-liners and moments. This is easily one of my favorite movies this year and definitely upon my list of all time favorites. I loved every fricken minute of it.
**** out of **** Alfred Hitchcock once deemed it unwise to kill either a child or a dog in a movie. Well, this logic seems to have been abandoned, until now. Martin McDonagh's "In Bruges" has characters that seem to live by the words of the big man himself; starting with Ray (Collin Farrell), a hitman crippled by the guilt of having just recently killed a little boy in an accident. He was assigned to kill a priest, and so he did, but a few of the bullets evaded the target … more
After bungling their latest job, two London-based hitmen are sent to the much quieter city of Bruges, Belgium to await instruction. Ray is a cocky young gun, who can't relax and can't stand Bruges and can't wait to get away. Ken is older and wiser, and wishes he could stay longer to take in the atmosphere and history of this medieval city. Of course, initial impressions of this odd couple turn out to be incomplete, and things aren't going to work out quite like anyone wants, and the quaint city … more
... but I laughed out loud at the conscience-stricken killer's suggestion that it was a circle closer to Hell than Bruges. When I laugh out loud at a film I'm watching by myself -- and I did laugh out loud more than once -- that film automatically gets my five-star rating. I'm not gonna waste a lot of college-seminar training on an exegesis of this flick. I take it to be a spoof of the genre, a totally tongue-in-cheek satire of fashionable amorality. Some reviewers have compared … more
Martin McDonagh makes an impressive writing and directing debut with the very fresh and entertaining and surprisingly well rounded film IN BRUGES. Though the basic storyline is rather simple, McDonagh knows how to keep it turning and twisting with generous amounts of humor as well as probing character development. He has assembled a cast of very fine actors, turned the cinematography of the gorgeous Belgian city of Bruges over to the capable creative hands of Eigil Bryld, and finished his project … more
The considerable pleasures ofIn Brugesbegin with its title, which suggests a glumly self-important art film but actually fits a rattling-good tale of two Irish gangsters "keepin' a low profile" after a murder gone messily wrong. Bruges, the best-preserved medieval town in Belgium, is where the bearlike veteran Ken (Brendan Gleeson) and newbie triggerman Ray (Colin Farrell) have been ordered by their London boss to hole up for two weeks. As the sly narrative unfolds like a paper flower in water, "in Bruges" also becomes a state of mind, a suspended moment amid centuries-old towers and bridges and canals when even thuggish lives might experience a change in direction. And throughout, the viewer has ample opportunity to consider whose pronunciation of "Bruges" is more endearing, Gleeson's or Farrell's. The movie marks the feature writing-directing debut of playwright Martin McDonagh, whose droll meditation on sudden mortality,Six Shooter, copped the 2005 Oscar for best live-action short. Although McDonagh clearly relishes the musicality of his boyos' brogue and has written them plenty of entertaining dialogue,In Brugesis no stageplay disguised as a film. The script is deceptively casual, allowing for digressions on the newly united and briskly thriving Europe, and annexing passers-by as characters who have a way of circling back into the story with unanticipatable consequences. That includes a film crew--shooting a movie featuring, to Ray's fascination, "a midget" (Jordan ...