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Eric Puppy-Eye Bana makes a great impression on this film.

  • Jun 19, 2006
  • by
Rating:
+3
"Munich" is powerful and perhaps one of Spielberg's most compelling and thought provoking work. He weaves a tapestry of political and social threads focusing on terrorism and the cost of violence. "Munich" is truly amazing in balancing linear storytelling and horrific acts of violence, demonstrating the impact of the aftermath. Spielberg's "Munich" seen through the eyes of Eric Bana's Avner is a powerful allegory that even in the most just and noble fights against terror we eventually become that which we despise. "Munich" really serves as a reminder. Mossad team leader Avner played by Eric Bana is absolutely great as the man who begins this righteous cause only to find that the cost is his soul. Anver asks, "When does it ever end?"

The world of 1972 hasn't changed a bit then from now: when one sees the events of September 11, 2001 (and the World Trade Center inserted into the New York City skyline right at the final scene), and the political interests which led to their horrific unfolding on American soil -- once a concept thought unthinkable -- it becomes food for thought if behind every Saddam, every Osama, there aren't tens, if not hundreds, waiting. As one PLO member effectively says: "Home is all we know."

MUNICH has strong performances all throughout. Eric Bana is tortured as Avner, a man who only wants to be with his wife and young daughter and cannot escape the horrors he has seen. Geoffrey Rush, Ciaran Hinds, Daniel Craig, Mathieu Kassovitz, Lynn Cohen, Hans Ziechler, Michael Lonsdale, and Mathieu Amalric all supply great support in a well-rounded cast and flesh out great characters in this excellent, if morally ambiguous story.

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More Munich (movie) reviews
review by . April 29, 2009
Having lived through the coverage of the slaughtered Israeli athletes during the 1972 Olympics, I felt like I was experiencing the actual events as they were occurring over again. Speilberg did an excellent job using stock news footage from the tragedy and overlaying actors into recreated scenes. Though these events are actually shown piecemeal throughout the film, the actual story is about what transpired afterwards. The Israeli government hired a hit squad to track down and eliminate 11 individuals …
review by . June 06, 2007
posted in Movie Hype
Pros: Balance, depth of investigation, engaging, at times edge-of-the-seat      Cons: Unnecessarily long, moral ambiguity hamfisted at times      The Bottom Line: I never would have expected a man with a child-ish/like eye to be able to make a film that wallows in vast moral grayness.      Plot Details: This opinion reveals major details about the movie''s plot.      For about thirty years, the overwhelming …
review by . November 15, 2006
posted in Movie Hype
Having lived through the coverage of the slaughtered Israeli athletes during the 1972 Olympics, I felt like I was experiencing the actual events as they were occurring over again. Speilberg did an excellent job using stock news footage from the tragedy and overlaying actors into recreated scenes. Though these events are actually shown piecemeal throughout the film, the actual story is about what transpired afterwards. The Israeli government hired a hit squad to track down and eliminate 11 individuals …
review by . May 22, 2006
posted in Movie Hype
Steven Spielburgh's "Munich" is a fearless classic. He takes the 1972 Olympic slayings of innocent Israeli athletes and recreates the ordeal in all its horrifying detail. We get some of the footage from ABC's "Wide World of Sports" to create authenticity, but the reinactment has all the immediacy and horror of "Schindler's List" and more. After the outrage, one of Golda Meier's trusted bodyguards (Eric Bana) is summoned to join a team of assassins meant to seek vengeance on the perpetrators. The …
review by . May 11, 2006
Attempting to understand what drives people to kill other people for any reason is, in the pit of the soul, a challenging enigma. Whether that 'reason' is war between countries at odds, protecting one's self when endangered, revenge or vengeance for deeds perpetrated by 'the other', for panic in the moment of survival - each of these feels wrong despite the fundamental belief to the contrary at the moment of killing. MUNICH is about killing, about vengeance, about protection of 'home', about existence …
About the reviewer
Jen-Jay AKA:JJI ()
Ranked #82
Married into the military for over a decade and it does has itpros andcons. The lifestyle is great and Ido enjoy it. I'm able to do things and see things that I thought I wouldn't dream of. My kids loves … more
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Wiki

At its core,Munichis a straightforward thriller. Based on the bookVengeance: The True Story of an Israeli Counter-Terrorist Teamby George Jonas, it’s built on a relatively stock movie premise, the revenge plot: innocent people are killed, the bad guys got away with it, and someone has to make them pay. But director Steven Spielberg uses that as a starting point to delve into complex ethical questions about the cyclic nature of revenge and the moral price of violence. The movie starts with a rush. The opening portrays the kidnapping and murder of Israeli athletes by PLO terrorists at the 1972 Olympics with scenes as heart-stopping and terrifying as the best of any horror movie. After the tragic incident is over and several of the terrorists have gone free, the Israeli government of Golda Meir recruits Avner (Eric Bana) to lead a team of paid-off-the-book agents to hunt down those responsible throughout Europe, and eliminate them one-by-one (in reality, there were several teams). It’s physically and emotionally messy work, and conflicts between Avner and his team’s handler, Ephraim (Geoffrey Rush), over information Avner doesn’t want to provide only make things harder. Soon the work starts to take its toll on Avner, and the deeper moral questions of right and wrong come into play, especially as it becomes clear that Avner is being hunted in return, and that his family’s safety may be in jeopardy.

By all rights, Munich should be an unqualified ...

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