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A Quick Tip by Sharrie

  • Dec 28, 2010
  • by
Matt Damon demonstrates his acting ability in this movie. I didn't like his role at all but he certainly pulled it off as one fine actor!
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December 28, 2010
I liked this movie quite a lot!
December 29, 2010
It certainly is one of a kind!
 
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More The Talented Mr. Ripley reviews
review by . March 19, 2011
posted in Movie Hype
Minghella gives us the sad boy who wets his pants, not the charming snake that kills
Anthony Minghella's The Talented Mr. Ripley suffers badly from that all-too-common condition, auteur's bloat. It's not just that the young, charming, amoral and murderous Tom Ripley has been turned into a corn-fed young man with tragic flaws. That wouldn't necessarily be a problem. Although those who love Patricia Highsmith's unadulterated protagonist might fuss, changing things is inherent in bringing books to movies. A different take on a character can be interesting. The problem …
review by . June 30, 2002
posted in Movie Hype
The Talented Mr. Ripley reminded me of nothing quite so much as Ridley Scott's Hannibal. That in itself is no bad thing, for Hannibal is a terrific piece of cinema, and in any case The Talented Mr. Ripley predates Hannibal by a couple of years. It is certainly true that Hannibal borrows much from Mr. Ripley in terms of style - and for that matter, a number of the set pieces. The Opera scene; the coffee emporia, the perfume; the high-end dolce vita, counterpointed against the subject's grisly deeds …
review by . March 16, 2001
posted in Movie Hype
Unlike most critics and many people, I did not like Anthony Minguella's THE ENGLISH PATIENT. I admit that many of the visuals in that film were stunning. However, I was not at all impressed by the story and to be honest the acting wasn't all that great (Miramax has often won awards not because of talent or performance, but because they have an incredibly huge checkbook thanks to the Mouse). From the previews, I actually thought I might enjoy RIPLEY. The visuals looked once again stunning, the lead …
review by . January 14, 2000
posted in Movie Hype
Pros: Good acting, and outstanding scenery     Cons: Slow in places, loose ends     Based on the highly acclaimed novel by Patricia Highsmith, Matt Damon stars as the chameleon-like Tom Ripley, who is commissioned to retrieve errant playboy and self-proclaimed expatriate, Jude Law from Italy. The simple errand turns deadly as Damon develops an unhealthy obsession with the gentleman playboy expatriate and his girlfriend Gwyneth Paltrow, and people start dropping …
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Sharrie ()
Ranked #3
I'm a traveler at heart & have been nicknamed Travel Queen by friends & colleagues alike. Traveling has been my life passion for the last decade or so. As we enter a new decade, I'm excited … more
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"I feel like I've been handed a new life," says Tom Ripley at a crucial turning point of this well-cast, stylishly crafted psychological thriller. And indeed he has, because the devious, impoverished Ripley (played with subtle depth by Matt Damon) has just traded his own identity for that of Dickie Greenleaf (Jude Law), the playboy heir to a shipping fortune who has become Ripley's model for a life worth living. Having been sent by Dickie's father to retrieve the errant son from Italy, Ripley has smoothly ingratiated himself with Dickey and his lovely, unsuspecting fiancée, Marge (Gwyneth Paltrow). In due course, the sheer evil of Ripley's amoral scheme will be revealed.

Superbly adapted from the acclaimed novel by Patricia Highsmith (also the basis of the acclaimed French version, Purple Noon), The Talented Mr. Ripley is writer-director Anthony Minghella's impressive follow-up to his Oscar-winning triumph The English Patient. Re-creating late-1950s Italy in exacting detail, the film captures the sensuousness of la dolce vita while suspensefully developing the fracturing of Ripley's mind as his crimes grow increasingly desperate. And where Hitchcock was necessarily discreet with the homosexual subtext of Highsmith's Strangers on a Train, Minghella brings it out of the closet, increasing the dramatic tension and complexity of Ripley's psychological breakdown. Phillip Seymour Hoffman ...

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