The talking-animal genre of the computer-generated animation scene is more than a staple, it’s an empire. And while names like Open Season, Over the Hedge, and Madagascar have earned their fair share of attention, don’t count Disney out when it comes to the concept of realizing a potential market.
At 94-minutes, The Wild is actually one of the lengthier animated features on the market. The plot, while in no danger of being mistaken for a masterpiece, goes something like this:
Set in the NY City zoo, we meet Ryan is a young lion who wishes for little more than to go to the wild, where his father (Samson) once roamed. When he manages to get himself shipped to Africa, his distraught father and a ragtag group of zoo refugees work together to track him down and bring him back.
Once the group reaches Africa, however, the animals find themselves in a world of real danger; the type only hinted of in stories and legends while in captivity. Add to the fact that a wildebeest cult leader named Kazar sees the coming of the felines as a sign from the powers-that-be and a volcano that's on the edge of eruption and the wild offers a lot more risks than these caged-critters bargained for.
The Wild is a prime example of the simple fact that limitless budgets and a powerhouse brand name/ distribution network do not a good film make. This is especially evident when you stop to consider the fact that when this film was being developed, Disney was amidst heated negotiations with Pixar, the likes of which had Pixar going as far as attempting to sever the relationship entirely. The Diz was clearly doing all they could to prove that they still had a presence in the booming computer-animated feature arena (without Pixar if need be) while taking aim at Dreamworks’ blockbuster Madagascar in the process.
What results is a pretty lackluster movie with all of the theoretical ingredients of a masterpiece (a decent cast, nice textures and animation, catchy theme songs and so on) but a finished product that comes up feeling dull and heartless.
Kids may find some value in the visuals and the few moments of slapstick surely included to get a rise, but it’s difficult to avoid the reality that the plot struggles to find it’s rhythm and fails to generate much enthusiasm in the few instances where it does.
In conclusion The Wild is a bit too dry and cumbersome for young children to enjoy and definitely too blasé to attract and hold the interest of the adults who will certainly be in the vicinity of the children the film is targeted toward. The pieces are all there but turning them into a complete puzzle is where Disney comes up short on this one.
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