Sang-Hyun, a Roman Catholic priest, develops urgent cravings after he selflessly volunteers to be guinea pig in a dangerous medical experiment. He resists at first, but thirst has a way of overcoming both scruples and vows. It's a story about faith and redemption, a deeply romantic and moving love story ... and a story about murder, mayhem and sex. Park Chan-Wook (Oldboy, Lady Vengeance, I'm a Cyborg, but That's OK), won the Jury Prize at Cannes for this stylish and bloody reinvention of the vampire mythos.
This is Park Chan-Wook at the top of his game, and to my mind the very best of an outstanding resume. The acting is superb, with Korea's leading actor Kang-ho Song (The Host, and Memories of Murder) as the priest and Ok-Vin Kim as his lover and nemesis. The imagery is powerful and provocative; the camera plunges, leaps and crawls and yet the camera's smooth but relentless tracking of its subject matter never interrupts the precise and stylized framings, and always works in the service of the story. Constantly surprising for its unique approach to capturing what is on screen, the cinematography never feels like a gimmick, or like style for its own sake (a complaint one might raise about some of Park Chan-Wook's earlier works, however fascinating they are). This is a film that will affect you - it is provocative, funny, frightening, and always fascinating. Highly recommended for lovers of inventive cinema; not for the timid or squeamish.
Winner of the Grand Jury Prize in the 2009 Cannes Film Festival and recipient of critical and box-office acclaim in Asia, I jumped at the chance to see Park Chan Wook’s (Oldboy, Sympathy for Lady Vengeance) latest film in a limited screening engagement in San Francisco. “THIRST” is a horror-satirical drama that explores the dark bestial side of humanity that is quite bizarre, even creepy on occasion, but never for one minute does … more
Favorite Movie Quote: "Ravage my body sworn to chastity leave me with no pride, and have me live in shame." Should the name Chan-wook Park sound relatively familiar, it is. More than almost any other living Korean film-maker, Park solidified his well-earned reputation with the sleeper hit Oldboy. Although I've enjoyed & certainly respected his decisions when it comes to other works, I couldn't fathom anything so masterful nor as mature. Thirst actually … more
After Park Can-Wook's Vengeance Trilogy, the acclaimed Korean director goes forth with a harrowing fable about vampirism and the life of a priest who gets turned into one of the undead. Sexy, sometimes disturbing and definitely a thematic affair, Park uses his signature style of blending symbolisms, dark humor and themes that bring the viewer to ask questions about what he has seen. Exquisitely acted and definitely a must-see, "Thirst" is one of my best of … more
Thirst is at once an interesting film. From the standpoint of a vampire historian, the film manages to go places and try things that haven't been attempted in vampire films before. At times gruesome, darkly funny, graphically violent, overtly erotic, and ultimately disturbing, Thirst manages to create a flavor (no pun intended) that is unique among horror films. However, it may not be a taste that everyone will appreciate. The story follows Sang-hyun, a … more
A 2009 film directed by Park Chan-Wook (director of Oldboy) based on Emile Zola's novel. The film is the story about a priest who becomes a vampire because of a flawed experiment. In turn, this priest experiences all the powerful, strong frailties of being a flawed human being and comes face to face with his own conscience and lust for a woman named Tae-Ju.