Transporter is such an amazing film, a real surprise, great timing, interesting story, and just the right amount of action. Fast forward to version 3, and everything just feels wrong.
The opening 10 or 15 minutes pack some interesting story line, decent action, that car crashing through Frank's living room wall was incredible. From there the film just goes down hill. The real turning point, Frank starts talking to Valentina (breaks his rule about the cargo), and she refuses to speak (invoking his rule about not talking). Finally she talks about food at a restaurant. It's foreshadowing, but she does talk about carrots a lot. And sadly the only thought this reviewer and his two sons had was, well does that help her keep her red hair and freckles? Sad but true, the movie just completely lost it's way at this point.
The action scenes are exciting and pitiful at the same time. The excitment is in the chase and the rapid fire editing, slick cars, beautiful scenery, and pulsating music and sound. The awful part, and this absolutely kills these sequences, so much sped up motion was used as to make these scenes almost stupid. Sped up and slo-mo fighting scenes were tiresome. The worst was the driving on two wheels between the two semi's stunt - plain old, flat out, stupid, defying all laws of physics and the darn CG effect was too obvious.
It's a sad movie when the viewer can actually see the light green tint around the edge of the actors in front of a green screen (just about every in car conversation is plagued with this). If the action had been furious enough, the dialog compelling, the story interesting; the green screen effect would have faded away. Instead it's out there in the open, made even visible on Blu-Ray.
There's a ton of continuity issues, where things don't match from one scene to the next. Frankly, this reviewer has never seen a longer list for any other movie that that internet movie database. T 3 has probably set a record for the most (there are over 30 goofs).
Natalya Rudakova is just not a very good actress, her delivery of lines is flat and almost read from the script. She is not really that beautiful, certainly not somebody that Frank should be attracted to. The reviewer found himself noticing the dark marks on her lips, either cold sores or freckles. It's very sad when a lead actress just isn't captivating. Jason Statham is the only reason this film gets two stars. This is essentially a guy movie, not really a date film. Jason taking his shirt off several times, well just wasn't a smart move; it plays to the wrong audience. The fishing scene with the French police inspector is charming. Him driving an old Renault 6 is also an interesting contrast. The other characters are just flat.
The film is rated PG-13. There is no nudity. The f bomb is in a subtitle once. There's plenty of violence, a fair amount of blood, and several times where a person is shown being shot. Given that the movie is so bad, it's probably smart to respect the age guideline.
Blu-Ray was a mixed blessing for this film. The sound is incredible. It will excercise your subwoofer. The gun shots and fighting sounds are significantly higher volume than the dialog. The high resolution of Blu-Ray shows all the bad / cheap CG effects the director chose. On DVD, these might not have been as visible.
The Blu-Ray disc includes some really lame Mogolo (apologies for not spelling this correctly) piece of junkware software. It took a good solid 15 minutes (at 12Mbps very fast internet connection) to download the program. It appears to allow a person to view a clip of the film, store it, add some graphics, and then share it with others. After step 12 in the demo, this reviewer gave up totally. Cr__ware experiments just keep happening with Blu-Ray. Maybe one day soon the authors of this junk will settle down to just show the movie in all it's HiDef glory.
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About the reviewer
Dan lebryk (ZeeDan)
Aug 5, 2010
Nov 13, 2010 06:55 PM UTC
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Jason Statham is back as Frank Martin, the Transporter, in this explosive third installment of the action-adventure series. This time, Frank is presented an offer he can’t refuse and ends up with a mysterious passenger and a dangerous destination - calling for a new machine and new rules. The stakes are bigger, the enemy is deadlier, and the action has never been hotter.