Seven years after a homicidal lunatic terrorizes a babysitter (Carol Kane) via telephone in the home of her wealthy hosts, that same psychopath (Tony Beckley) finds himself fixated on a lonely lush (Colleen Dewhurst) while sought by a former detective turned P.I. (Charles Durning).
This might have been another unexceptional thriller if not for its perfectly apt cast. Fragile and elfin, Kane's nervous and ultimately hysterical delivery are as effective as the movie's measured pace. As she was already an old hand in the part of the tough, worn and unmarried, Dewhurst's more reserved performance is equally plausible. Durning's both reliable and unsurprising as the determined investigator, but the real treat here is Beckley, totally twisted (though never outrageous) as the madman. This proved to be Beckley's final role; the British stage and television veteran was terminally ill during shooting, and ended his career on a high note, imparting some humanity and not too much frenzy to an antagonist who's as pathetic as reprehensible.
Those who have viewed this won't be surprised to learn that its first twenty minutes were initially filmed as a short by horror director Walton, who expanded it into his first feature-length picture after noting the success of Carpenter's Halloween. Though its extended plot was skillfully devised, proceedings therein are a whit tedious midway through the second act. Durning's obsessive pursuit of Beckley is of interest, but continues for too long ere its absorbing chase scene. However, even this film's slowest moments are sustained by gorgeous photography, courtesy of the distinguished, recently deceased D.P. Donald Peterman. Composed in the vein of Goldsmith's tenser offerings, Dana Kaproff's eerie, string-driven score might well put and keep anyone on edge.
Quite an assemblage of talent, this is terrific at its best in spite of some minor flaws. It's most efficacious when viewed in the dark at 1 A.M. on a chilly October morning...
When teenager Jill Johnson(Carol Kane) is called over to the house of the Mandrakis family to babysit their children. She soon becomes a victim of prank calls. Eventually, the calls are revealed to be coming from inside the house, and tragedy strikes when the couples children are brutally killed. Seven years later, the killer named Curt Duncan (Tony Beckley) escapes the asylum he was held in. Ex-cop now turned private investigator John Clifford (Charles Durning), is now hellbent on capturing and … more