If you took Clint Eastwood's Harry Callahan and made him overweight, unhygienic, twice as rude, and only about two-thirds as good a cop, you'd have a pretty good approximation of Joe Don Baker's Mitchell, one of the most unattractive movie 'heroes' in all of MSTie-dom (and that's saying a lot).
When life gives you lemonade, a film like 'Mitchell' is enough to turn it back into lemons again. Joel and The Bots (J&TB) do a great job giving this turkey the riffing it deserves, but the episode is bittersweet, since it's Joel's final appearance on the Satellite of Love (save for a cameo in one of the Sci-Fi Channel episodes).
"Mitchell' and the episode that followed, 'The Brain that Wouldn't Die' are must-haves for MSTies because of their place in the history of the series. But this episode is also a great performance in its own right, and one you'll watch over and over again -- in spite of the unpleasantness surrounding Joe Don Baker and some baby oil.
I'm a huge fan of these guys. The team of writers for this show are so talented it's sick. I was a huge fan when MST3K was on TV, and I have a bunch of the episodes on tape. Of all of them, this is the one I return to most.The wonderful movie for Joel's farewell episode is Mitchell, some kind of lame cop-action-thing with a stupid plot revolving around drugs and prostitutes and Joe Don Baker's hideous acting. Perfect ammunition for Joel & co. to unleash one of the finest barrages of jokes in the … more
This farewell episode for Joel Hodgson is a sentimental favorite but even more worth it for the hilarity spawned by our captured Satellite of Love friends. The movie centers on the hapless, big lug cop named Mitchell (Joe Don Baker), who fights the rich and powerful drug-dealing bad guys. Along the way, Mitchell finds himself investigating murder, falling "in sex" with Linda Evans, helping an elderly woman like a good son, and telling a bothersome wisecracking kid to buzz off. Match that with clothing and music from 1975 and you've got prime fodder for the biting remarks of Joel, Crow, and Tom Servo--which, of course, they take advantage of handily and in abundance.Mitchellhas a few quiet areas but these are spotty, and when Joel and his mechanical friends start wisecracking, it's all hilariously worth the wait.Mitchell: So '70s, you'd swear Kris Kristofferson was moaning the theme song in the background.--Karen Karleski